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return to prices realized index > Rago Arts and Auction Center
Please click on lot number to see image. |
| Lot | Description | Estimate | Hammer Price | Sale Price |
| 1 | GRUEBY Gourd-shaped vase with tooled and applied full-height ribbed leaves, covered in a superior feathered matte green glaze. (Extremely rare, one of Grueby's most important forms.) Professional restoration to small chip at rim and to a couple of leaf tips, several minor glaze nicks to leaf edges. Stamped GRUEBY. 9 1/4" x 8 1/2" | 20,000 - 30,000 | 70,000 | 84,000 |
| 2 | ROYCROFT Hammered copper chandelier from the Roycroft Inn, with three reflective sockets, complete with original chains and ceiling cap. Fine original dark patina. Orb & Cross mark. 31" x 17" | 5,000 - 7,000 | 6,000 | 7,200 |
| 3 | ROYCROFT Copper bookends embossed with large trees in a field of blossoms. (Roycroft's best and rarest bookends). Fine original patina. Orb & Cross marks. 6 1/2" x 4" | 4,000 - 6,000 | 6,500 | 7,800 |
| 4 | ROYCROFT Hammered copper wall-hanging sign, "TWILDO" (probably a shortened version of "It will do"). (Provenance: Elbert Hubbard II residence.) Fine original, dark patina. Unmarked. 4" x 20" | 1,000 - 1,500 | 6,500 | 7,800 |
| 5 | ROYCROFT Ceiling fixture designed by Dard Hunter with three cylindrical leaded glass drops in bright green and purple leaded glass, complete with chains and ceiling cap. Break to one piece of glass, missing finial and wear to patina on ceiling cap. 22" x 10 1/4" dia. | 30,000 - 40,000 | 25,000 | 30,000 |
| 6 | ROYCROFT Wall sconce designed by Dard Hunter with cylindrical shade of leaded glass in bright green and purple, complete with wall cap. Unmarked. 8 1/2" x 5" x 6 1/4" | 5,000 - 7,000 | 8,000 | 9,600 |
| 7 | ROYCROFT Ceiling sconce designed by Dard Hunter with cylindrical shade of leaded glass in bright green and purple, complete with cap. Unmarked. 18" x 5" | 5,000 - 7,000 | 6,500 | 7,800 |
| 8 | ROYCROFT Ceiling sconce designed by Dard Hunter with cylindrical shade of leaded glass in bright green and purple, complete with ceiling hook. Missing chain, break to two pieces. Unmarked. 10" x 5" | 5,000 - 7,000 | 7,500 | 9,000 |
| 9 | ROYCROFT Large hammered copper table lamp designed by Dard Hunter, its flaring shade of bright green and purple leaded slag glass, over a three-socket base with ring pulls. Fine original patina, original cap and finial. A couple of short breaks to glass pieces. Base has Orb & Cross mark. 22 1/4" x 18 3/4" | 17,500 - 22,500 | 17,000 | 20,400 |
| 10 | ROYCROFT Flaring shade designed by Dard Hunter of bright green and purple leaded slag glass. Unmarked. 6" x 18" | 5,000 - 7,500 | 9,500 | 11,400 |
| 11 | ROYCROFT Flaring shade designed by Dard Hunter of bright green and purple leaded slag glass. Break to one small glass piece on outer edge. Stamped Orb & Cross mark. 6" x 18" | 5,000 - 7,500 | 9,000 | 10,800 |
| 13 | ROYCROFT Two rare hammered copper tall candlesticks with four riveted bands. Original dark patina, some pitting, mostly to base of one, whose bobeche is also bent and slightly torn. Orb & Cross mark. 11 1/2" and 12" | 1,500 - 2,500 | 2,200 | 2,640 |
| 15 | TIFFANY STUDIOS Black Eyed Susan table lamp on a three-socket fluted base. (From a St.Louis estate). A couple of minor breaks to glass, fine original bronze patina. Stamped TIFFANY STUDIOS NEW YORK 370S182. 22 1/2" x 16" | 30,000 - 40,000 | 40,000 | 48,000 |
| 16 | TIFFANY STUDIOS Tall Dogwood table lamp, on a four socket elongated organic base. (From a Florida estate, the base is the taller version of this form). A couple short lines to glass, original bronze patina. Stamped TIFFANY STUDIOS NEW YORK 531. 31" x 21" | 37,500 - 47,500 | 37,500 | 45,000 |
| 17 | TIFFANY STUDIOS Geometric table lamp, its conical shade of leaded amber slag glass over a four-socket base in bright gold finish. Patina compromised on base. Stamped TIFFANY STUDIOS NEW YORK 1493. 25" x 20 1/2" | 8,000 - 12,000 | 10,000 | 12,000 |
| 18 | TIFFANY Acorn table lamp, its shade of shading blue, green, and yellow slag glass over a three-arm, single-socket fluted bronze base. (A fine and unusual version of this shade, with graduating blue-to-green glass). Fine original patina, several short breaks to glass. Shade and base stamped TIFFANY STUDIOS NEW YORK, base with TGDCo 259. 21" x 14" | 12,000 - 15,000 | 11,000 | 13,200 |
| 19 | OVERBECK Exceptional vase incised with stylized figures of children amidst red hollyhock blossoms, on a matte mustard ground. (An important piece, pictured in "The Chronicle of Overbeck Pottery" by Kathleen Postle, 1978, plate XXVIII.) Restoration to rim chip. Incised OBK F with paper label possibly covering E. 10 1/2" x 7" | 40,000 - 60,000 | 60,000 | 72,000 |
| 20 | OVERBECK Squat vessel excised with elephants and birds in russet against a pale orange ground. Incised OBK, E F. 3 1/2" x 5 1/2" | 6,000 - 9,000 | 8,500 | 10,200 |
| 21 | OVERBECK Bulbous vase excised with panels of stylized birds in green and brown. Incised OBK E F. 4 3/4" x 5 1/4" | 4,000 - 6,000 | 4,750 | 5,700 |
| 22 | OVERBECK Large barrel-shaped vase excised with stylized birds and blossoms in matte mustard glaze on a rich chocolate brown ground. Incised OBK E F. 9 1/4" x 6" | 15,000 - 20,000 | 13,000 | 15,600 |
| 23 | TECO Vase surrounded with reticulated handles of narrow leaves against a ribbed, flaring neck, covered in matte green glaze. (Touch-up to rim tip, seldom found in such excellent condition). Stamped Teco. 11 1/2" x 4 1/4" | 7,500 - 10,000 | 10,000 | 12,000 |
| 24 | TECO Large double-gourd factory lamp base with buttressed handles covered in leathery matte green glaze. Restoration to several hairlines and small chips. Stamped Teco 287A. 13 1/4" x 10 1/2" | 2,000 - 3,000 | 3,500 | 4,200 |
| 25 | SATURDAY EVENING GIRLS Exceptional cylindrical vase decorated in cuerda seca with a village seen through tall trees. (An iconic vessel, this is one of the finest examples by this pottery we've seen.) Professional restoration to rim chip. Signed 2?8.11.11.SEG IG. 6 3/4" x 3" | 17,500 - 22,500 | 47,500 | 57,000 |
| 27 | SATURDAY EVENING GIRLS Cereal bowl decorated in cuerda seca with a band of hens and chicks around "ELIZA" in yellow and white, 1909. Light wear around rim. Signed F.L. 241-4-09. SEG in vessel. 1 3/4" x 6" | 1,200 - 1,600 | 950 | 1,140 |
| 29 | SATURDAY EVENING GIRLS Low bowl decorated in cuerda seca with a band of pine boughs on matte green, 1917. 2 1/2" Y-shaped line from rim. Signed A M 1-17 SEG. 2 1/2" x 8 1/2" | 1,000 - 1,500 | 1,100 | 1,320 |
| 30 | VAN BRIGGLE Large vase embossed with daisies under a superior frothy matte green glaze, 1908-11. (Exceptional). 2 1/2" chip to base, from manufacturing. Incised AA VAN BRIGGLE COLO SPGS 767. 10 1/4" x 12" | 7,000 - 9,000 | 7,000 | 8,400 |
| 31 | VAN BRIGGLE Early bud vase embossed with trillium and covered in a frothy lime green glaze, the pale clay showing through, 1903. AA VAN BRIGGLE 121 1903. 6 1/2" x 3" | 1,500 - 2,000 | 1,600 | 1,920 |
| 32 | VAN BRIGGLE Early vase embossed with poppy pods and covered in robin's egg blue glaze, the dark brown clay showing through, 1905. AA 173 VAN BRIGGLE VX 1905. 9 1/2" x 4 3/4" | 1,750 - 2,250 | 3,500 | 4,200 |
| 33 | VAN BRIGGLE Early bulbous vase embossed with tobacco leaves under a frothy green and brown matte glaze, 1906. AA VAN BRIGGLE 389 1906. 4 1/2" x 4 3/4" | 900 - 1,200 | 1,400 | 1,680 |
| 34 | VAN BRIGGLE Flaring vase embossed with morning glories under a fine frothy green glaze, 1908-11. Grinding chips to base, the largest 3/4". AA Van Briggle, Colo Spgs 591. 8" x 6" | 1,200 - 1,600 | 1,200 | 1,440 |
| 35 | VAN BRIGGLE Unusual flaring vase embossed with blossoms under a fine yellow and pearl gray frothy glaze, 1906. AA VAN BRIGGLE COLO. SPRINGS 1906 495. 9 1/2" x 4 1/2" | 1,250 - 1,750 | 1,100 | 1,320 |
| 36 | VAN BRIGGLE Horned toad figural paperweight in amber and green. No visible mark. 1 1/4" x 4 1/2" | 1,000 - 1,500 | 950 | 1,140 |
| 38 | SHAWSHEEN Rare covered box, its four panels incised with a castle landscape in matte glazes. (A fine example by one of America's rarest Arts & Crafts studios). Signed SAP. 5 1/2" x 3 1/2" sq. | 2,500 - 3,500 | 3,250 | 3,900 |
| 39 | SHAWSHEEN Rare vase incised with stylized flowers in matte pastel colors. Signed SAP. 4" x 5" | 1,500 - 2,000 | 1,400 | 1,680 |
| 40 | MERRIMAC Jardiniere carved and embossed with lotus leaves under an excellent feathered microcrystalline matte green glaze. Abrasion to high points, some glaze flakes. Incised EB. 5 1/4" x 8 1/2" | 1,750 - 2,250 | 2,500 | 3,000 |
| 41 | MERRIMAC Cabinet vase with applied rows of leaves under a fine feathered semi-matte green glaze, 1903. A couple of small glaze flakes. Incised E.Q. 1903. 2 3/4" x 4" | 900 - 1,200 | 1,600 | 1,920 |
| 42 | NEWCOMB COLLEGE Tall vase carved by A. F. Simpson with a moonlit landscape of Spanish moss and live oak trees, 1927. (On a scale of one to ten, this is a ten). NC/AFS/JM/150QC32. 10 1/2" x 4 1/2" | 8,000 - 12,000 | 9,000 | 10,800 |
| 43 | NEWCOMB COLLEGE Tall and early vase carved by Marie Ross with light blue blossoms and rich blue-green leaves, 1903. Very short, very tight line to rim. Stamped NC/S11/JM/Ross. 9 1/4" x 6" | 12,000 - 15,000 | 6,000 | 7,200 |
| 44 | NEWCOMB COLLEGE Square table scarf embroidered with stylized trees in amber and green. (Authenticated by Rita Curry-Pittman, Newcomb College linens are exceptionally rare. This one is in excellent original condition.) Unmarked. 15" x 15 1/4" | 6,500 - 7,500 | 6,000 | 7,200 |
| 46 | NEWCOMB COLLEGE Transitional vase carved by Cynthia Littlejohn with stylized trees, 1913. NC/JM/B/231/CL13/FX16. 7" x 5 1/2" | 4,000 - 6,000 | 5,000 | 6,000 |
| 47 | NEWCOMB COLLEGE Early and exceptional high-glaze vase by S. Massegale, brightly decorated as a stylized sunflower blossom in yellow, blue, and green on a cream ground, c. 1900. NC/Massegale/P. 4 1/2" x 5" | 4,500 - 5,500 | 4,250 | 5,100 |
| 48 | NEWCOMB COLLEGE Bulbous vase by Corinna Luria with ring handles in a stylized geometric design. (Rare form). Bruise to rim, firing line to shoulder. NC/C.L./KD18/192. 6" x 5" | 1,500 - 2,500 | 2,700 | 3,240 |
| 49 | NEWCOMB COLLEGE Vase crisply carved in the Espanol pattern by A. F. Simpson, 1929. NC/RM77/77/JH/AFS. 7" x 3 1/2" | 3,500 - 4,500 | 5,500 | 6,600 |
| 50 | ROOKWOOD Jewel Porcelain vase finely painted by Arthur Conant with large chrysanthemums on a deep blue ground, 1918. (Uncrazed, flawless, perfectly executed). Flame mark/XVIII/999C/P/artist's cipher. 8 3/4" x 6 3/4" | 6,000 - 9,000 | 9,000 | 10,800 |
| 51 | ROOKWOOD Jewel Porcelain barrel-shaped vase painted by Lorinda Epply with amber fish on a butter yellow ground, 1930. Uncrazed. Flame mark/XXX/6203C/LE. 8" x 6 1/4" | 3,000 - 4,000 | 3,750 | 4,500 |
| 52 | ROOKWOOD Jewel Porcelain vase by K. Shirayamadani with an all-over, chintz-like pattern of cherry blossoms on a raspberry pink ground, 1922. Uncrazed, superficial glaze fleck to rim. Flame mark/XXII/589F/artist's Japanese cipher. 7 1/2" x 3" | 2,000 - 3,000 | 3,500 | 4,200 |
| 53 | ROOKWOOD Rare Sung Plum vase by Sara Sax with fleshy poppies on raspberry ground, 1927. (Uncrazed and powerful, the crispness of the piece suggests some hand tooling by Sax). Flame mark/XXVII/6006/artist's cipher. 12" x 7" | 8,000 - 12,000 | 17,000 | 20,400 |
| 54 | ROOKWOOD Jewel Porcelain vase by Kataro Shirayamadani with white and orange blossoms and green leaves against a shaded peach to gray ground, 1919. Uncrazed. Flame mark/XIX/1929/Japanese cipher. 5" x 7" | 1,750 - 2,250 | 1,600 | 1,920 |
| 55 | ROOKWOOD Later Mat/Mat Moderne squat vessel by William Hentschel with sprigs in brown and indigo on ivory ground, 1931. Flame mark/XXXI/6199F/WEH. 4" x 4 1/2" | 1,200 - 1,600 | 700 | 840 |
| 56 | ROOKWOOD Later Mat/Mat Moderne squat vessel William Hentschel with beige leaves on a yellow ground, 1931. Flame mark/XXXI/1110F/WEH. 3 3/4" x 5 1/4" | 1,200 - 1,600 | 1,100 | 1,320 |
| 57 | ROOKWOOD Later Mat/Mat Moderne squat vessel by William Hentschel with beige leaves on a caramel ground, 1931. Seconded mark for no apparent reason. Flame mark/XXXI/6199F/WEH/X. 4" x 4 3/4" | 1,000 - 1,500 | 1,200 | 1,440 |
| 58 | ROOKWOOD Large terra cotta garden urn and stand decorated in the Italian Renaissance style with blue engobe. A few small chips commensurate with age, largest 2". Stamped 3041Y RP. Overall: 43" x 26" | 2,000 - 3,000 | 3,250 | 3,900 |
| 59 | ROOKWOOD Large terra cotta garden urn and stand decorated in the Italian Renaissance style with blue engobe, en suite with preceding. A few small chips commensurate with age, largest 1 1/2". Stamped 3041Y RP. Overall: 43" x 26" | 2,000 - 3,000 | 3,250 | 3,900 |
| 60 | ROOKWOOD Scenic Vellum plaque by Fred Rothenbusch with a snow-covered alpine landscape, 1913. In original frame. 1/3" glaze flake to edge. Flame mark/XIII/V/FR. Plaque: 8 1/2" x 10 3/4" | 4,750 - 6,750 | 4,500 | 5,400 |
| 61 | ROOKWOOD Scenic Vellum plaque by M.G. Denzler of a snowy mountain landscape, 1914. Mounted in original Arts & Crafts frame. Flame mark/XIV/Denzler. 5" x 8" | 2,500 - 3,500 | 2,300 | 2,760 |
| 62 | ROOKWOOD Scenic Vellum plaque by Ed Diers with river bend and cloudy sky, 1916. Mounted in original frame. Flame mark/XVI/V/ED. 7 1/2" x 9 1/2" | 2,500 - 3,500 | 2,100 | 2,520 |
| 63 | ROOKWOOD Scenic Vellum plaque by Frederick Rothenbusch depicting a river bend amidst trees in blue, celadon and dark grey, 1900. In original frame. Sight: 5 1/2" x 7 1/4" | 3,500 - 4,500 | 3,500 | 4,200 |
| 64 | ROOKWOOD Scenic Vellum corseted vase by Sallie Coyne with a misty, snowy landscape, 1923. Uncrazed. Flame mark/XXIII/1358D/V/P/artist's cipher. 8 3/4" x 5" | 3,000 - 4,000 | 3,250 | 3,900 |
| 66 | ROOKWOOD Unusual Scenic Vellum by E. T. Hurley with small islands of pine trees in a lake under a colorful sunset, 1908. Typical crazing. Flame mark/VIII/614E/V/ETH. 8" x 4 1/2" | 2,000 - 3,000 | 2,700 | 3,240 |
| 67 | ROOKWOOD Scenic Vellum corseted vase by E. T. Hurley of a moonlit lake landscape, 1910. (Provenance: Toni Schulman Collection, 2003.) Flame mark/X/1358D/V/E.T.H. 8 3/4" x 4 3/4" | 2,000 - 3,000 | 2,200 | 2,640 |
| 68 | MARIA LONGWORTH NICHOLS STORER Large copper panel embossed with seahorses and crabs with bejeweled eyes. Framed. Unmarked. Copper plate: 14" x 20" | 3,000 - 4,000 | 4,250 | 5,100 |
| 69 | ROOKWOOD FAIENCE Three 8" tiles modeled with purple irises and green leaves, on blue ground, mounted together in a new Arts & Crafts frame. Stamped ROOKWOOD FAIENCE 6124 6. Frame: 14" x 31 1/2" | 2,750 - 3,750 | 3,250 | 3,900 |
| 70 | GEORGE OHR Oversized tea pot with an ear-shaped handle and serpentine spout on a dimpled body, covered in green and brown flambe glaze with gunmetal sponging. Small flat chip at rim, lid is original but not a match, as customary. (When Ohr's pottery was stored in 1907, the lids were packed separately from the teapots. As a result, perhaps a third were mismatched. This pre-Carpentarian piece descended directly through Ohr family.) Stamped G. E. OHR Biloxi, Miss, twice. 7 1/4" x 8" | 6,000 - 9,000 | 9,000 | 10,800 |
| 71 | GEORGE OHR Teapot covered in cobalt blue glaze. Restoration to 4" chip and touch-up to finial. Script signature. 5" x 9" | 3,500 - 5,500 | 4,000 | 4,800 |
| 72 | GEORGE OHR Sculptural vessel of marbleized clay. (A most exceptional, sculptural vessel.) Script signature. 4" x 6" | 6,000 - 9,000 | 10,000 | 12,000 |
| 73 | GEORGE OHR Flaring vase covered in a fine raspberry, green, and gunmetal mottled glaze. Minute fleck to rim. Script signature. 3 1/2" x 5 1/2" | 2,750 - 3,750 | 2,900 | 3,480 |
| 74 | GEORGE OHR Joe Jefferson mug, its incised motto entirely covered with raspberry, green, white, and indigo sponged-on glaze, 1896. Stamped G.E.OHR Biloxi, Miss. Incised 3-18-96. 4 1/2" x 4 1/2" | 3,500 - 4,500 | 4,750 | 5,700 |
| 75 | GEORGE OHR Goblet covered in a fine purple, green, and brown mottled glaze. Tiny glazed hole to side. Script signature. 3 3/4" x 3 1/2" | 3,000 - 4,000 | 3,250 | 3,900 |
| 76 | GEORGE OHR Squat vessel with deep in-body twist, covered in indigo and plum speckled glaze. G.E.OHR Biloxi, Miss. 4" x 4 1/2" | 4,500 - 5,500 | 4,750 | 5,700 |
| 77 | GEORGE OHR Vase with pinched top, covered in green speckled mustard glaze. Stamped GO. E. OHR BILOXI, MISS. 4" x 4 1/2" | 2,500 - 3,500 | 5,500 | 6,600 |
| 78 | GEORGE OHR Bulbous vase with deep in-body twist covered in brown speckled glaze, with black sponged-on pattern. G. E. OHR, Biloxi, Miss. 5 1/4" x 3 1/2" | 3,000 - 4,000 | 3,750 | 4,500 |
| 79 | GEORGE OHR Tapering vessel with deep in-body twist at rim, covered in emerald green and black gunmetal glaze. GEO.E. OHR, BILOXI MISS. 3 1/2" x 4" | 2,500 - 3,500 | 3,250 | 3,900 |
| 80 | GEORGE OHR Vessel with ribbed body and pinched floriform rim, covered in dark brown mottled glaze. G.E.OHR, Biloxi, Miss. 3 1/2" x 4" | 2,500 - 3,500 | 2,600 | 3,120 |
| 81 | KARL VON RYDINGSVARD Carved wood hinged and lidded box in red, blue and gold, 1902. (Rydingsvard came to this country from Sweden and established two schools of Arts & Crafts woodcarving, in Manchester, New Hampshire, and another one in New York City, one of only a handful of artisans working in this medium to achieve international recognition. This box came from the Hewn Oaks mansion, Kezar Lake, Lovell, Maine, and once belonged to his student, the painter Stephen A. Douglas Volk [1856-1935], whose family owned that property. Rydingsvard was a frequent contributor to The Craftsman, International Studio and The Art Interchange magazines.) Carved KVR in circle. 5" x 12 1/2" x 10" | 2,000 - 3,000 | 1,600 | 1,920 |
| 82 | SAMUEL YELLIN Wrought iron tripod occasional table with hammered copper tray. Normal cleaning to tray. Authenticated by Samuel Yellin Metalworkers. Unmarked. 33" x 21" | 4,000 - 6,000 | 3,500 | 4,200 |
| 85 | JARVIE Prairie School faceted sterling pitcher attributed to George Elsmlie, "PRESENTED BY CHICAGO LIVE STOCK WORLD IOWA POLAND CHINA FUTURITY 1914". Stamped STERLING Jarvie 2034. 9 1/2" x 7 3/4" | 2,750 - 3,750 | 21,000 | 25,200 |
| 87 | JARVIE Hand-wrought sterling silver presentation bowl from the Onwentsia Club Pow Wow, 1918, with a repousse American Indian design and a circular medallion of a chief's head. Marked Jarvie in script, STERLING CHICAGO 2065. 2 1/2" x 5" | 4,000 - 5,000 | 3,500 | 4,200 |
| 88 | JARVIE Double brass candlestick. Missing bobeches. Unmarked. 11" x 8" | 3,000 - 4,000 | 1,800 | 2,160 |
| 90 | JARVIE Bronze candlestick, complete with bobeche. Exceptional, in a fine, original patina. Unmarked. 10 1/4" x 5 1/4" | 4,500 - 6,500 | 8,500 | 10,200 |
| 91 | JESSIE PRESTON Bronze candelabrum designed for candles or flame-shaped electric bulbs, in a thistle pattern. (Exhibited in "Women Designers in the USA 1900-2000," and accompanied by a copy of the catalog). Original patina. Stamped J PRESTON CHICAGO. 13 1/2" x 10" | 6,000 - 7,000 | 8,000 | 9,600 |
| 92 | CARENCE CRAFTERS Acid-etched silvered desk set in a Glasgow rose pattern, comprising a blotter with letter holder, inkwell, and letter opener. No visible mark, but the maker's hand is clear. | 800 - 1,200 | 1,800 | 2,160 |
| 93 | GUSTAV STICKLEY Exceedingly rare drop-front desk and cabinet with strap hinges, chamfered back, interior gallery. Early red decal. 56" x 38" x 15" | 18,000 - 25,000 | 15,000 | 18,000 |
| 94 | GUSTAV STICKLEY Early luncheon table (no. 647) with stretcher on edge mortised with keyed through-tenons. Unmarked. 29 1/2" x 40" x 28" | 2,000 - 3,000 | 1,800 | 2,160 |
| 95 | GUSTAV STICKLEY Early and rare tabouret (no. 46) with hexagonal top over six angled legs and corbels, ca. 1901. Unmarked. 21" x 19" sq. | 4,000 - 6,000 | 6,000 | 7,200 |
| 97 | GUSTAV STICKLEY Drop-arm settee (no. 219) with slatted back and original drop-in spring seat recovered in black leather. Unmarked. 37 1/2" x 71 1/2" x 26". | 1,800 - 2,500 | 1,800 | 2,160 |
| 99A | GUSTAV STICKLEY Set of four early U-back dining chairs with rush seats, ca. 1901. Unmarked. 34 3/4" x 19" x 17" | 6,000 - 8,000 | 5,500 | 6,600 |
| 100 | ROYCROFT Extremely rare tooled leather armchair. Carved Orb and Cross mark. 36 1/2" x 24" x 25" | 7,000 - 10,000 | 6,000 | 7,200 |
| 101 | ROYCROFT Drop-front desk (no. 91) with gallery interior. Carved Orb and Cross mark. 44 1/4" x 38 1/2" x 19 1/2". | 6,000 - 9,000 | 5,500 | 6,600 |
| 102 | ROYCROFT Vanity and mirror (no. 110) with single drawer. Carved Orb and Cross mark. 56" x 39" x 17 1/2" | 3,500 - 5,500 | 3,250 | 3,900 |
| 103 | ROYCROFT Tall trapezoidal magazine stand (no. 80). Carved Orb and Cross mark. 64" x 17 3/4" sq. | 9,000 - 14,000 | 15,000 | 18,000 |
| 104 | LIMBERT Single-door bookcase (no. 357) with three adjustable shelves. Branded mark. 57" x 29 1/2" x 14" | 4,000 - 5,000 | 4,750 | 5,700 |
| 105 | LIMBERT Double-door bookcase (no. 358) with six adjustable shelves. Branded mark. 57" x 48" x 14" | 2,800 - 3,500 | 3,500 | 4,200 |
| 106 | LIMBERT Triple-door bookcase (no. 359) with nine adjustable shelves. Branded mark. 58 3/4" x 66 1/2" x 14" | 4,500 - 5,500 | 4,500 | 5,400 |
| 107 | L. AND J.G. STICKLEY Drop-arm Morris chair (no. 410) with slats to the floor and original drop-in spring seat. Branded mark. 38" x 32 1/2" x 38" | 6,000 - 8,000 | 7,000 | 8,400 |
| 108 | GUSTAV STICKLEY Extremely rare high-back rocker (no. 393) with inverted V arm supports, drop-in spring seat with new leather cover. (The second such example we've ever seen.) Red decal. 44" x 27 3/4" x 24" | 3,500 - 4,500 | 6,000 | 7,200 |
| 109 | GUSTAV STICKLEY Set of six V-Back dining chairs, one arm- (no. 354) and five side-, ca. 1905. Small red decals. Armchair 36" x 26" x 22", sidechairs 35 1/2" x 19" x 19". | 6,000 - 9,000 | 6,000 | 7,200 |
| 110 | GUSTAV STICKLEY Sideboard (no. 814), with plate rack and strap hardware. Branded mark. 48" x 66" x 24" | 5,000 - 6,500 | 7,000 | 8,400 |
| 111 | GUSTAV STICKLEY Spindle cube settle with drop-in spring seat recovered in brown leather. Red decal. 30 3/4" x 68 1/2" x 30" | 17,000 - 20,000 | 18,000 | 21,600 |
| 112 | CHARLES ROHLFS Hanging wall shelf with scrolled sides, 1905. Carved R 1905. 44" x 27" x 7 1/2" | 5,000 - 7,500 | 4,250 | 5,100 |
| 113 | CHARLES ROHLFS Pair of hall chairs with tall cut-out backs and saddle seats, 1901. Carved R 1901. 54 3/4" x 18" x 17" | 7,000 - 10,000 | 16,000 | 19,200 |
| 114 | GUSTAVE SERRURIER-BOVY Wardrobe with mirrored door next to five-drawer cabinet, wrought-iron hardware. Branded Serrurier Liege. 82 1/2" x 58 1/4" x 23 1/2" | 8,000 - 12,000 | 8,500 | 10,200 |
| 114A | OLD HICKORY Four side chairs with woven seats. Old Hickory metal tag on one. 39" x 20" x 16 1/2" | 1,500 - 2,000 | 1,500 | 1,800 |
| 114B | OLD HICKORY (Attr.) Table with quarter-sawn oak veneered oval top over five legs. Unmarked. 30" x 66" x 36" | 1,200 - 1,800 | 1,300 | 1,560 |
| 114C | OLD HICKORY Three-piece picnic set with table and two benches. Branded marks. Table 30" x 60" x 30", benches 18" x 48" x 14". | 2,000 - 3,000 | 3,000 | 3,600 |
| 114D | L. AND J.G. STICKLEY Mantle clock designed by Peter Hanson with an etched copper face, square wooden details, and a small glass window. Unmarked. 22" x 16" x 8" | 6,000 - 8,000 | 6,000 | 7,200 |
| 115 | HANDEL Exceptional table lamp, its acid-etched shade reverse- and obverse-painted with an autumnal landscape, over a three-socket, orb-shaped base. (One of the finest Handel lamps we've seen, with a strong base and excellent original patina.) Shade signed HANDEL 5209, artist signed R. Lockrow, stamped Handel Pat, stamped HANDEL on base. 24 1/2" x 18" | 9,500 - 12,500 | 18,000 | 21,600 |
| 116 | HANDEL Table lamp, its large faceted shade with brown and green cattails against caramel slag glass, over a five-socket bronze base. Fine original patina, original sockets, cap, and chains, seldom found in such pristine condition. Shade unmarked, base marked HANDEL 768?. 30 1/2" x 22 1/4" | 18,500 - 22,500 | 37,500 | 45,000 |
| 117 | HANDEL Large and rare Hollyhock four-sided chandelier with pink and yellow leaded slag glass blossoms against a green geometric ground. (A rare and exceptional example, one of only several known in this shape.) Complete with four sockets, original chain, and floriform ceiling cap. Breaks to a few small glass pieces. Unmarked. 23 3/4" sq. x 34" | 15,000 - 20,000 | 27,000 | 32,400 |
| 118 | HANDEL Table lamp, its lobed, acid-etched shade reverse-painted with a lakeside landscape at dusk, over a rare three-socket Teroma base, obverse-painted with a river landscape. (Rare and exceptional). Flecks to edge of shade. Shade stamped HANDEL Lamps with patent, base signed F. Gubisch. 23 1/2" x 18" | 7,000 - 10,000 | 8,500 | 10,200 |
| 119 | GORHAM Table lamp, its leaded glass shade in a foliate pattern over a three-socket fluted base in bronze patina. (A first-rate lamp, Gorham's work in leaded glass is very rare). A few breaks to glass. Unmarked. 25 1/4" x 18 1/2" | 6,500 - 8,500 | 6,000 | 7,200 |
| 121 | PRAIRIE SCHOOL Chandelier of three hanging copper lantern drops lined in caramel slag glass. Unmarked. 36" x 30" x 13 3/4" | 1,200 - 1,600 | 1,600 | 1,920 |
| 121A | HANDEL Hammered copper boudoir lamp, its conical shade suspended from hooks by chain links, pierced with stylized tulips and lined in caramel slag glass. Its single-socket base has two shafts and is lined in glass. (A rare version of this fine lamp, with a hand-hammered and riveted copper shade). Fine original dark patina. Shade stamped HANDEL. 14" x 8 1/4" | 3,500 - 4,500 | 7,500 | 9,000 |
| 122 | HANDEL Chandelier with five leaded glass shades hanging from individual arms, fastened to a square brass ceiling plate. Total: 33" x 14" sq.; shades: 4 1/2" x 5 1/2" | 4,000 - 5,000 | 7,500 | 9,000 |
| 123 | HANDEL Floor lamp, its two faceted frosted glass shades obverse-painted with a geometrical band on a plain T-base in bronze patina. Minute flea bite to lower edge of one shade. Both shades stamped HANDEL No. 2702, base has cloth label. Base: 55 1/2" x 33", shades: 4 3/4" x 6" | 1,750 - 2,250 | 3,000 | 3,600 |
| 124 | HANDEL Boudoir lamp, its "chipped" glass shade obverse- and reverse-painted with a nordic landscape of evergreens, over a rare single-socket tree trunk base in bronze patina. (A fine Arts & Crafts accessory). Light spots to interior. Signed Handel with illegible number. 15" x 7" | 2,200 - 2,600 | 5,000 | 6,000 |
| 126 | HANDEL Table lamp, its hemispherical acid-etched shade reverse-painted by F. Gubisch with daffodils on an exceptional three-socket, bulbous bronzed base. 3/8" chip inside rim. Shade signed with HANDEL LAMPS, patent number, and HANDEL 7122 Gubisch, base stamped HANDEL. 24" x 18" | 6,000 - 9,000 | 7,000 | 8,400 |
| 126A | HANDEL Table lamp, its ribbed "chipped" glass shade reverse-painted with a landscape at dusk, over a matching three-socket base in bronze patina. Soft white spots inside shade do not show through the outside, restored patina, two small, flat flakes to side of shade. Base and shade stamped HANDEL. 22 1/2" x 15 1/2" | 3,500 - 4,500 | 3,500 | 4,200 |
| 127 | HANDEL Table lamp, its "chipped" glass shade obverse-painted with a landscape, reverse-painted with shading, over a two-socket fluted base in bronze patina. Shade stamped HANDEL with patent number. 22" x 16" | 4,000 - 5,000 | 3,800 | 4,560 |
| 129 | PITTSBURGH Table lamp, its acid-etched glass shade reverse and obverse painted with autumnal maple leaves, over an organic two-socket base with bronze patina. A few very minor flecks around rim. Unmarked. 23" x 18" | 3,000 - 4,000 | 3,500 | 4,200 |
| 130 | MOE BRIDGES Table lamp, its hemispherical shade of acid-etched glass reverse-painted with a river landscape, on a two-socket bronze urn base. (An unusually strong lamp by this maker). Shade signed MOE BRIDGES CO. 186 HH, base unmarked. 23" x 18 1/4" | 3,750 - 4,500 | 3,500 | 4,200 |
| 131 | BRADLEY AND HUBBARD Two table lamps, their "chipped" glass shade obverse-painted with a band of stylized ivy, and reverse-painted with a mossy ground, over three-socket Arts & Crafts bases. Different bronze patinas, both caps and finials replaced. Bases marked B304. 25 1/2" x 18" | 2,500 - 3,500 | 5,000 | 6,000 |
| 132 | HANDEL Table lamp, its faceted shade overlaid with Queen Anne's lace on green and caramel slag glass, over a bronzed two-socket tree trunk base. Two splits to bottom of shade, replaced cap soldered onto shade, some replaced glass panels. Base stamped HANDEL 5339. 24 1/2" x 18" | 2,000 - 3,000 | 2,600 | 3,120 |
| 134 | PAIRPOINT Table lamp, its "chipped" glass flaring shade obverse-painted with an autumnal landscape and reverse-painted in yellow, over a three-socket urn base in bronze patina. Base marked PAIRPOINT PD3034 MADE IN THE USA. 21" x 15 1/2" | 2,750 - 3,750 | 2,500 | 3,000 |
| 135 | JEFFERSON / HANDEL Table lamp, its Jefferson shade of acid-etched glass reverse-painted with a bucolic landscape, over a smaller Handel two-socket base with bronzed patina. Small nicks to edge of shade, remnants of glue from tape, replaced sockets. Shade marked 1897 and stamped Jefferson, base unmarked. 20 1/2" x 18" | 1,900 - 2,400 | 1,700 | 2,040 |
| 137 | JEFFERSON Table lamp, its "chipped" glass shade reverse-painted with a sepia tone landscape, over a two-socket bulbous chipped ice glass base with copper finish. Shade signed 1885 Jefferson and rare artist signature M.G. 22 1/2" x 18" | 2,250 - 2,750 | 2,000 | 2,400 |
| 138 | ALBERT BERRY Rare table lamp, its four-panel shade of pierced and hammered copper with sylvan scenes lined in green and white slag glass, and garland chain suspending bone drops, over a single-socket mahogany base. Dark original patina, 3" break to one glass pane, two small corner chips to another. Unmarked. 20" x 8 3/4" | 5,500 - 7,500 | 5,500 | 6,600 |
| 138A | GUSTAV STICKLEY Hammered copper humidor with cast and riveted curled handle, and riveted, cedar-lined box and inner lid. (Perfect and complete). Original medium patina. Als Ik Kan stamp. 5 1/2" x 7 1/2" x 5 1/4" | 2,250 - 2,750 | 3,750 | 4,500 |
| 139 | GUSTAV STICKLEY Pair of wrought-iron rectangular lanterns with pyramidal tops, with original pyramidal wall mounts. Complete with original hammered amber glass and pyramidal mounting screws. Sanded finish, replaced inner tabs. Recently removed from their original home in Wyoming. Lanterns: 5 1/2" x 6" sq. Backplate: 6" sq. | 2,500 - 3,500 | 2,800 | 3,360 |
| 140 | GUSTAV STICKLEY Pair of hammered copper wall sconces lined in hammered agate glass. Fine original dark patina, professionally reglued glass of the period, which may not be original, one replaced pane. Unmarked. 17" x 6" | 3,000 - 4,000 | 8,000 | 9,600 |
| 141 | GUSTAV STICKLEY Unusual oversized wrought copper lantern with pyramidal shade, heart cut-outs, original ceiling plate and chain, and fine original amber glass, under a rich original dark brown patina. Exceptional quality and condition, the first we've seen in this size. Recently removed from its original home in Wyoming. Unmarked. Lantern to tip of hook: 15" x 9 1/2", chain to ceiling mount: 10" | 4,000 - 6,000 | 16,000 | 19,200 |
| 142 | GUSTAV STICKLEY Hammered copper hanging sconce with four hammered amber glass hanging panels, complete with chain and ceiling cap. (A rare and unusual lantern in excellent original condition). Stamped Als-ik-kan. 42" x 7" sq. | 2,500 - 3,500 | 19,000 | 22,800 |
| 143 | JARVIE Hammered sterling silver presentation cup by George Elmslie, Harbor Point Country Club, 1915. (Very fine). Minor and shallow dent. Stamped Jarvie STERLING 2016. 7 3/4" x 5 1/4" | 7,000 - 9,000 | 7,000 | 8,400 |
| 144 | GUSTAV STICKLEY Andirons with swag chain, rings, and ball tops. Circular Craftsman stamp, one firedog stamped Sweden. 20 1/2" x 14" x 24" | 8,500 - 11,500 | 8,000 | 9,600 |
| 145 | ROYCROFT Table lamp by Dard Hunter, its flaring shade of hammered copper lined in green hammered glass, over a single-socket oak base with copper fittings. (Provenance: Charles Youngers, master bookbinder at the Roycrofters and close friend of the artist.) Glass replaced some thirty years ago with Roycroft-type material; replaced or missing screws to shade, some cleaning to copper. Unmarked. 23" x 16" sq. | 12,500 - 17,500 | 10,000 | 12,000 |
| 146 | GRUEBY Unusual and large squat bulbous vase by Wilhemina Post, completely cut back with stylized alternating razor clam leaves, under an exceptional matte green glaze. (Unusual technique, the only we've seen of this kind.) Impressed Pottery mark/WP. 7 1/2" x 8" | 4,500 - 5,500 | 7,000 | 8,400 |
| 147 | GRUEBY Vase by Wilhelmina Post with three full-height leaves alternating with yellow buds. Restoration to a couple of rim chips. Circular stamp WP. 8 1/2" x 5" | 2,750 - 3,750 | 5,500 | 6,600 |
| 148 | GRUEBY Squat vessel with tooled and applied leaves, covered in a superior leathery matte glaze. Restoration to small chip at rim. Circular Pottery stamp AAP166. 6" x 6 1/2" | 2,000 - 3,000 | 1,900 | 2,280 |
| 149 | GRUEBY Vase with full-height tooled and applied leaves covered in a frothy matte green glaze. Touch-ups to tips of three leaves. Circular stamp. 8" x 4 1/2" | 2,000 - 3,000 | 1,900 | 2,280 |
| 150 | GRUEBY Large melon-shaped vase by Ruth Erickson with full-height leaves alternating with yellow buds, covered in fine leathery matte green glaze. (Very crisp, in excellent condition, this is the only two-color example of this form we've seen. Pictured in The Ceramics of William H. Grueby by Susan Montgomery, Arts & Crafts Quarterly Press, 1993). Circular Pottery stamp RE 36. 11" x 7 3/4" | 15,000 - 20,000 | 19,000 | 22,800 |
| 151 | GRUEBY Rare tile incised and modeled with polar bear on iceberg. (The first of these we've seen). Small chip to one corner and flake to back. Stamped GRUEBY BOSTON. 5 1/2" x 7" | 2,500 - 3,500 | 9,500 | 11,400 |
| 152 | GRUEBY Cuenca tile depicting St. George Slaying the Dragon in rich matte colors. (First rate, extremely rare.) Artist signed. 8" sq. | 5,000 - 7,000 | 9,000 | 10,800 |
| 153 | GRUEBY Rare tile with stylized tree on blue ground. (Only the second of these we've seen). Small chip to corner, light abrasion to surface. Stamped GRUEBY BOSTON M.B. 6" sq. | 2,000 - 3,000 | 4,500 | 5,400 |
| 154 | GRUEBY Two-tile frieze decorated in cuenca with a procession of horses. Restoration to corners. Mounted in new Arts & Crafts frame. Each tile 6" sq. | 3,000 - 4,000 | 6,000 | 7,200 |
| 155 | GRUEBY Seven-tile frieze of "The Pines," decorated in cuenca with stylized trees in a hilly landscape, along with surrounding matte green tiles, thirty-five 2" x 6" (chips to edges), and twenty-four 2" x 3" (cut-down, as-is). Small chip to one edge of pine, these are in exceptional condition. Pines unmarked, rectangular marked. 6" sq. each | 20,000 - 30,000 | 15,000 | 18,000 |
| 158 | GRUEBY Frieze of three red clay tiles decorated in cuenca with ivory waterlilies and light green lily pads on dark green water. A few flakes to edges. Stamped GRUEBY BOSTON. 6" sq. ea. | 2,500 - 3,500 | 2,000 | 2,400 |
| 159 | NEWCOMB COLLEGE Exceptional, early bulbous vase by Marie De Hoa LeBlanc with deeply incised jonquil blossoms in cream, yellow, and green on an alternating dark, medium, and light blue ground, 1909. Invisible repair to very small rim chip. NC/JM/Q/DD52/MHLB. 6 1/2" x 7 1/2" | 12,000 - 16,000 | 11,000 | 13,200 |
| 163 | NEWCOMB COLLEGE Transitional chocolate set by Ora Reams, complete with six cups and saucers, carved with yellow daisies. Small chip to edge of two saucers, tight opposing lines to one cup. Chocolate pot marked NC/JM/B/ORA REAMS 1913/FH2. Pot: 10 1/2" x 6" | 14,000 - 19,000 | 13,000 | 15,600 |
| 164 | MARBLEHEAD Early bulbous vase by Arthur Baggs incised with a stylized design in blue-grays and pale yellow. (More Grueby than Marblehead in design, this is an exceptional example). Small glaze flake to rim. Incised M with seagull, AB. 4 3/4" x 3 1/4" | 5,000 - 7,000 | 37,500 | 45,000 |
| 165 | MARBLEHEAD Ovoid vase by Hannah Tutt incised with brown oak leaves and acorns on a mustard ground. Stamped ship mark, HT. 7" x 4" | 3,500 - 4,500 | 3,250 | 3,900 |
| 166 | MARBLEHEAD Tapered vase incised and painted with stylized green leaves on a speckled rich brown ground. Stamped ship mark. 6" x 4 1/4" | 3,500 - 4,500 | 3,250 | 3,900 |
| 167 | MARBLEHEAD Vase carved by Hannah Tutt with crouching panthers and stylized trees on matte olive green ground. (Strong color and modeling). Very short, very tight line to rim, almost impossible to see. Stamped ship mark/HT. 6 3/4" x 5" | 14,000 - 19,000 | 13,000 | 15,600 |
| 168 | MARBLEHEAD Tall and unusual vase designed by Arthur Baggs with incised and surface-painted blue flower stalks on a pebble gray ground. Impressed ship mark, incised AEB cipher. 8 1/2" x 4" | 5,000 - 7,000 | 5,000 | 6,000 |
| 169 | MARBLEHEAD Squat bulbous vase with a repeating design of yellow and blue flowers on green and brown foliage against a gray ground. Impressed ship mark. 3 1/2" x 5" | 2,750 - 3,250 | 2,700 | 3,240 |
| 170 | MARBLEHEAD Cabinet vase incised with yellow blossoms and brown leaves. Stamped ship mark. 3 1/2" x 3" | 1,500 - 2,000 | 1,200 | 1,440 |
| 171 | MARBLEHEAD Early and exceptional geometric decorated vase with deep brown incised decoration repeating against a rich pea green ground. (Probably done within the first several years of Marblehead's production, the first of these we've seen, the quality typical of this period). Pin-head sized fleck inside rim. Impressed ship mark, incised N T. 5" x 4 3/4" | 6,500 - 8,500 | 11,000 | 13,200 |
| 172 | MARBLEHEAD Tall vase by Arthur Baggs, tooled and surface painted with brown pine boughs on green speckled ground. (Perhaps the only surviving example of this form without post-manufacturing flaws). Restoration to two kiln kisses. Ship mark AB. 12" x 4 1/2" | 3,500 - 4,500 | 7,000 | 8,400 |
| 173 | NORTH DAKOTA SCHOOL OF MINES Fine bulbous vase by Margaret Cable with cut-back daffodils in light brown on a deep brown ground. Circular ink mark/M. Cable/273. 8" x 5 1/2" | 1,900 - 2,400 | 2,600 | 3,120 |
| 174 | NORTH DAKOTA SCHOOL OF MINES Vase carved by H. Leigh with an Art Deco floral design under matte green and brown glaze, 1935. Circular indigo stamp, carved HLeigh Nov. 35. 8" x 6" | 3,500 - 4,500 | 3,500 | 4,200 |
| 175 | NORTH DAKOTA SCHOOL OF MINES Bulbous vase carved by Haesle with Viking ships in brown on a matte green ground, 1944. Indigo stamp, signed Haesle, 4-4-'44. 7 1/2" x 5" | 1,200 - 1,600 | 1,700 | 2,040 |
| 176 | NORTH DAKOTA SCHOOL OF MINES Unusual, tall vase incised and enamel-decorated with white blossoms on matte green ground, 1927. (First rate). Indigo stamp, DK1927. 9 1/2" x 5" | 3,000 - 5,000 | 12,000 | 14,400 |
| 178 | NORTH DAKOTA SCHOOL OF MINES Bulbous vase incised with fish under green and gunmetal glaze. Indigo stamp and incised Marie. 8 1/2" x 7" | 3,000 - 4,000 | 5,500 | 6,600 |
| 179 | ROOKWOOD Tall Painted Mat vase finely executed by A. R. Valentien with purple orchids on green ground, 1901. (Well fired). Flame mark/I/188VZ/A.R.VALENTIEN. 12 1/4" x 4 1/2" | 7,500 - 10,000 | 6,500 | 7,800 |
| 180 | ROOKWOOD Scenic Vellum vase by Sallie Coyne with a full moon over a lake landscape, 1913. Overall crazing. Flame mark/XIII/2064/V/artist's cipher. 7 1/2" x 3 1/2" | 1,400 - 1,700 | 1,100 | 1,320 |
| 181 | ROOKWOOD Scenic Vellum vase by Fred Rothenbusch with lake landscape, 1921. Flame mark/XXI/614E/V/FR. 8 3/4" x 4" | 1,750 - 2,250 | 2,100 | 2,520 |
| 182 | ROOKWOOD Tall Scenic Vellum vase by Lorinda Epply with a lake landscape in deep and vivid colors, 1916. Light peppering. Flame mark/XVI/977/V/LE. 11" x 5 1/2" | 1,750 - 2,250 | 2,100 | 2,520 |
| 183 | ROOKWOOD Scenic Vellum vase by Sallie Coyne with lake landscape, 1920. Minimal crazing. Flame mark/XX/808/V/artist's cipher. 8" x 3 1/2" | 1,800 - 2,300 | 1,700 | 2,040 |
| 185 | ROOKWOOD Large Jewel Porcelain bulbous vase painted by Sara Sax with birds and magnolias on a rich blue and black ground, 1917. Uncrazed. Flame mark/XVII/2272/P/artist's cipher. 12 1/4" x 7 1/2" | 4,000 - 6,000 | 3,750 | 4,500 |
| 186 | ROOKWOOD Tall Jewel Porcelain corseted vase painted by Kataro Shirayamadani with pink lotus blossoms and lavender leaves, 1924. Uncrazed, seconded mark for glazing inconsistencies. Flame mark/XXIV/1358C/Japanese cipher/X. 10 1/2" x 5 3/4" | 2,000 - 3,000 | 1,700 | 2,040 |
| 188 | ROOKWOOD Vellum vase beautifully painted by Carl Schmidt with two large dragonflies, 1904. Seconded mark for peppering. Flame mark/IV/915D/artist's cipher/X. 7" x 5 1/2" | 3,000 - 4,000 | 7,500 | 9,000 |
| 189 | ROOKWOOD Experimental Iris Glaze crescent-shaped vase by Ed Diers with a purple iris, covered in a silvered modeled iris, 1900. Tight 2" hairline from rim. Flame mark/T1236/ED/W. 4 1/2" x 4" | 5,000 - 7,000 | 6,000 | 7,200 |
| 190 | ROOKWOOD Scenic Vellum vase by Sallie Coyne with lake landscape, 1921. Flame mark/XXI/2067/V/artist's cipher. 7 3/4" x 3 1/2" | 1,600 - 2,200 | 1,600 | 1,920 |
| 191 | ROOKWOOD Jewel Porcelain faceted vase painted by Elizabeth Barrett with large clematis blossoms, 1944. Two small burst bubbles to rim. Flame mark/XLIV/6864/artist's cipher. 7 1/2" x 5 1/2" | 1,250 - 1,750 | 1,000 | 1,200 |
| 192 | ROOKWOOD Scenic Vellum vase by Ed Diers with a misty landscape, 1909. Some peppering to upper half. Flame mark/IX/1658D/V/ED. 9 3/4" x 4 3/4" | 2,000 - 3,000 | 1,200 | 1,440 |
| 193 | ROOKWOOD Scenic Vellum by Sallie Coyne with a banded moonlit lake landscape, 1908. Flame mark/VIII/1657/SEC/V/C. 8" x 4 1/4" | 1,650 - 2,250 | 2,000 | 2,400 |
| 194 | ROOKWOOD Scenic Vellum vase by Ed Diers with a lake landscape, 1919. Flame mark/XIX/1369D/V/ED. 9 1/4" x 5 1/4" | 1,750 - 2,250 | 1,700 | 2,040 |
| 195 | TIFFANY Large and exceptional vase deeply embossed with dogwood blossoms on a white bisque surface and a high-glaze green interior. Very minor staining. Marked BP206 (for "Bronze Pottery;" otherwise unmarked, but we have seen several others of this molded form). 9" x 14" | 2,500 - 3,500 | 4,750 | 5,700 |
| 196 | TIFFANY Bottle-shaped vase in verdigris micro-crystalline glaze, with bronze lip around rim. 1" firing line underglaze on base. Incised LCT. 12 1/4" x 5 1/2" | 1,500 - 2,000 | 1,700 | 2,040 |
| 197 | TIFFANY Bottle-shaped vase covered in a dynamic cobalt and gray crystalline glaze. Good touch-ups to two small and shallow exterior chips. Signed LCT 7. 11" x 8" | 1,500 - 2,000 | 1,600 | 1,920 |
| 198 | TIFFANY Porcelain vase embossed with chestnut branches, covered in blue and green glaze dripping on an ivory ground. (A rare form with unusually strong and colorful glazing). Opposing hairlines, one with restoration. Signed LCT 7, remnant of foil label. 9 1/2" x 6 1/2" | 3,000 - 4,000 | 4,500 | 5,400 |
| 199 | UNIVERSITY CITY Bud vase covered in matte mustard glaze with fully-formed celadon crystals. Two circular stamps. 8" x 2 1/4" | 2,000 - 3,000 | 2,600 | 3,120 |
| 200 | UNIVERSITY CITY Squat bowl attributed to Frederick Rhead, incised with stylized squirrels in dead matte glaze. Hairlines and restoration around rim. Incised UC mark/5148. 2" x 4 3/4" | 3,750 - 4,750 | 3,750 | 4,500 |
| 201 | ADELAIDE ROBINEAU Fine porcelain kylyx bowl-form with a cafe-au-lait exterior with full-blown blue crystals, black handles, and a rose-to-brown interior. Very short and tight line to rim, restoration to small chip at rim. (Provenance: Descended from Clara Alsop's family, the potter's sister.) Unmarked. 3 1/2" x 8" | 1,200 - 1,600 | 1,400 | 1,680 |
| 202 | DENVER DENAURA / LONHUDA Baluster vase modeled and incised with daffodils, covered in vellum matte green glaze. (One of their rarest forms). 1 1/2" tight hairline from rim. Stamped indigo arrow mark, Denaura 85 18?, incised Lonhuda. 8 1/2" x 5" | 2,500 - 3,500 | 2,500 | 3,000 |
| 203 | SUSAN FRACKELTON Rare stoneware vase carved in a foliate and heraldic pattern and covered in green and indigo matte glazes, 1879. Dedicated to her husband and incised around the rim CUM. GRANO. SALIS. AD1879 (translating to "with a grain of salt," which, according to family history, is a play on words remarking both on the use of salt in the glaze, as well as a gentle dig at her husband, Richard Goodrich Frackelton, who apparently disapproved of her profession, and to whom this was a gift from the artist). Incised on bottom SF No 2 6/3/79 For RGF. 7" x 5 1/4" | 7,500 - 10,000 | 15,000 | 18,000 |
| 204 | W.J. WALLEY Tall vase covered in curdled semi-matte and lustrous green glaze. (An exceptional example in perfect condition). Impressed WJW. 16 1/2" x 8" | 3,500 - 4,500 | 4,250 | 5,100 |
| 205 | ZARK Vase with four buttressed handles, carved with dragonflies in two-tone matte blue. Incised ZARK C.C.B. 4 3/4" x 7 1/4" | 1,500 - 2,000 | 3,250 | 3,900 |
| 206 | WALRATH Vase matte-painted with stylized water lilies. Stilt-pull chip. Incised Walrath Pottery. 7" x 4 1/2" | 4,500 - 5,500 | 5,000 | 6,000 |
| 207 | WALRATH Vase matte-painted with a landscape. 1" hairline from rim. Signed Walrath Pottery. 6 1/4" x 4 1/2" | 2,000 - 3,000 | 2,500 | 3,000 |
| 208 | WALRATH Unusual vase with wooded landscape and cabin, 1915. (Colorful and well painted). Incised Walrath Pottery. 7 1/4" x 4 1/4" | 7,500 - 9,500 | 12,000 | 14,400 |
| 209 | BATCHELDER AND BROWN Early and large triptych of pumpkin field. (A spectacular and probably unique example, featured in the exposition "California Tile: The Golden Era 1910-1940," The California Heritage Museum, Santa Monica, 2001). A few small edge chips. Stamped BATCHELDER PASADENA. 19 1/2" x 63" | 9,000 - 14,000 | 9,000 | 10,800 |
| 210 | BATCHELDER Triptych of an ox cart caravan with blue engobe. (A rare and large tile panel in excellent condition). A few small chips to edges, some grout on back. No visible mark. 8" x 18" each | 5,000 - 7,000 | 4,250 | 5,100 |
| 211 | TAYLOR TILERY Six-tile panel, "San Juan Capistrano Mission". Previously mounted as a table top, still grouted. No visible mark. Panel, with grout: 16 1/2" x 24 3/4" | 1,500 - 2,000 | 1,600 | 1,920 |
| 213 | J. & J.G. LOW Large format Plastic Sketch by Arthur Osborne, "Tuning Up," covered in amber glaze. (The first one of these we've seen, a superior example.) A few small chips to edges. Incised AO, and stamped J & JG LOW ART TILE WORKS CHELSEA, MASS., U.S.A. COPYRIGHT 1882 BY J & JG LOW. 16 1/2" x 10 1/2" | 2,000 - 3,000 | 1,600 | 1,920 |
| 214 | J. & J.G. LOW Plastic Sketch by Arthur Osborne, "Spring Time," covered in amber glaze and mounted in new frame. Incised AO, back covered. Sight: 10" x 5" | 1,100 - 1,600 | 900 | 1,080 |
| 215 | OWENS Large tile decorated in cuenca with a cottage in a bucolic landscape. Framed. (A fine, large, and rare example). Unmarked. 11 1/2" x 17 1/2" | 2,000 - 3,000 | 3,500 | 4,200 |
| 216 | VOLKMAR Three tiles matte-painted in the Impressionist style with a landscape in tones of green, framed together. (Descended through the Volkmar family, these tiles mark the apex of Charles Volkmar's work in the Arts & Crafts style). Each signed B. Each tile: 8" sq. | 2,000 - 3,000 | 5,500 | 6,600 |
| 220 | PESHAWAR SERAPI Room-size rug with brick medallion on ivory ground. 9' x 12'4" | 1,800 - 2,200 | 2,200 | 2,640 |
| 221 | NORTHWEST PERSIAN Area rug in a Kuba design, in ivory and cinnamon on an indigo field, ca. 1930. Minor re-weaving. 5'2" x 8'3" | 900 - 1,200 | 1,000 | 1,200 |
| 222 | GUSTAV STICKLEY Dresser (no. 905) in two-over-three configuration, with mirror swiveling from frame with butterfly joints. Red decal. 65 1/2" x 48" x 22 1/2" | 6,500 - 9,500 | 7,500 | 9,000 |
| 223 | GUSTAV STICKLEY Chest of drawers (no. 909) in two-over-three configuration, with paneled sides. Red decal. 42" x 37" x 19 1/2" | 2,500 - 3,500 | 3,500 | 4,200 |
| 224 | GUSTAV STICKLEY Single pencil-post bed (no. 923), complete with side rails. Branded mark. 46" x 39" x 78" | 1,400 - 1,800 | 1,100 | 1,320 |
| 225 | L. AND J.G. STICKLEY Rare chest of drawers (no. 99) in two-over-three configuration with round wooden knobs. (One of the only examples of this form we've seen). Branded "The Work of..." mark. 38" x 48" x 22 1/4" | 1,500 - 2,500 | 2,400 | 2,880 |
| 226 | GUSTAV STICKLEY Chest of drawers (no. 909) in two-over-three configuration, with round wooden pulls and paneled sides. Paper label and red decal. 42" x 37" x 19" | 2,000 - 3,000 | 2,400 | 2,880 |
| 227 | GUSTAV STICKLEY Set of three V-back billiard chairs (no. 312 1/2B) with original leather seats and tacks. Branded marks and paper labels. 45 1/2" x 26" x 21" | 12,000 - 18,000 | 11,000 | 13,200 |
| 228 | GUSTAV STICKLEY Three V-back billiard chairs (no. 312 1/2B) with tacked-on leather seats. Unmarked. 45 1/2" x 25 3/4" x 21" | 9,000 - 14,000 | 7,500 | 9,000 |
| 229 | L. AND J.G. STICKLEY Paddle arm Morris chair (no. 412), with wide arms featuring arched supports and quadrilinear post construction. "Work of ..." decal. 40" x 35" x 38 1/2" | 4,500 - 6,500 | 6,000 | 7,200 |
| 230 | GUSTAV STICKLEY Sheet music cabinet (no. 70) with hammered amber glass door over four adjustable shelves. Branded signature. 47 1/4" x 20" x 16" | 5,000 - 8,000 | 7,500 | 9,000 |
| 231 | GUSTAV STICKLEY Knock-down even arm settle (no. 210) with 12" backboard and spring cushion seat. Unmarked. 36" x 84" x 33 1/2". | 12,000 - 16,000 | 11,000 | 13,200 |
| 233 | L. & J.G. STICKLEY Morris chair (no. 411) with heavy quadrilinear post construction to legs, ca. 1912. "Work of..." decal. 42" x 34" x 37". | 2,000 - 2,500 | 1,800 | 2,160 |
| 234 | GUSTAV STICKLEY Drop-leaf table (no. 671) with round top and shoe feet. Branded mark. Closed: 30" x 32" x 11 3/4", open: 30" x 32". | 1,700 - 2,200 | 1,500 | 1,800 |
| 235 | GUSTAV STICKLEY Early single-door bookcase with mitered mullions, ca. 1902-04. Early red decal. 55 1/2" x 31" x 12 1/4" | 6,000 - 9,000 | 8,000 | 9,600 |
| 236 | LIMBERT Massive partner's desk (no. 160) with four drawers on either side, corbels all around, and a lower shelf. Branded signature. 29 1/4" x 60" x 39 3/4". | 3,000 - 5,000 | 7,500 | 9,000 |
| 237 | LIMBERT Oval table (no. 146) with lower shelf and cut-out sides. Branded signature. 29" x 45" x 30". | 2,500 - 3,500 | 2,000 | 2,400 |
| 238 | LIMBERT Double-oval library table. Branded mark. 29 1/4" x 47 1/2" x 36" | 8,000 - 12,000 | 12,000 | 14,400 |
| 239 | BROOKS Cut-out lamp table with rounded top, and open base, in the style of Limbert. Unmarked. 28 1/4" x 18" sq. | 1,900 - 2,400 | 2,000 | 2,400 |
| 240 | GUSTAV STICKLEY Pair of trestle benches with keyed through-stretchers. Paper labels. 15" x 36" x 15" | 2,800 - 3,500 | 3,250 | 3,900 |
| 241 | GUSTAV STICKLEY Slatted wastepaper basket (no. 94). Unmarked. 14" x 12" | 1,400 - 1,800 | 1,500 | 1,800 |
| 242 | ROYCROFT Slatted wastepaper basket from the Roycroft Inn. Carved Orb and Cross mark, R023. 16" x 14" sq. | 1,100 - 1,500 | 1,700 | 2,040 |
| 243A | GUSTAV STICKLEY Three-drawer mahogany library table. Unmarked. 30 1/4" x 66 1/4" x 36" | 2,500 - 3,500 | 2,300 | 2,760 |
| 243C | ARTS & CRAFTS Dining trestle table with shoe feet and up-ended stretcher. (Provenance: Milton Fritsche, of Horn & Hardart). 29 1/2" x 96" x 36". | 2,000 - 3,000 | 4,750 | 5,700 |
| 243E | ROYCROFT Set of five chairs, one arm- and four side-, all having Macmurdo feet, vertical slats, and the initial "L" carved in the crest rail. Carved Orb and Cross. Armchair, 43 1/2" x 28 1/4" x 25 1/2", sidechairs, 38 1/4" x 18" x 18". | 4,000 - 6,000 | 3,750 | 4,500 |
| 245 | DIRK VAN ERP Large and exceptional red "Warty" hammered copper vase. (Extremely rare in this large size). Excellent original patina. Stamped windmill mark with open box, DIRKVANERP SAN FRANCISCO. 15 1/2" x 9 1/2" | 25,000 - 35,000 | 45,000 | 54,000 |
| 246A | DIRK VAN ERP Tall hammered brass shell casing vase. (Extremely rare.) Drilled base. Stamped windmill with DIRKVANERP. 19 1/4" x 6 1/2" | 3,000 - 4,000 | 2,300 | 2,760 |
| 248 | DIRK VAN ERP Hammered copper and mica table lamp, its four panel conical shade atop a two-socket trumpet-shaped base. Original patina and mica. Open box windmill mark. 18" x 17" | 11,000 - 14,000 | 12,000 | 14,400 |
| 249 | DIRK VAN ERP Hammered copper and mica table lamp, its four panel shade over a two-socket bulbous base. Fine original patina. Windmill stamp with remnant of D'Arcy Gaw. 16 1/2" x 15 1/2" | 7,000 - 9,000 | 7,000 | 8,400 |
| 250 | LILLIAN PALMER Hammered copper table lamp, its shade of four mesh panels painted with nasturtium blossoms in polychrome, its two-socket base incised with hollyhocks. Professionally enhanced patina on base. (Palmer's lamps are rare, and seldom found with such symmetry between base and shade.) Unmarked. 18" x 19 1/4" | 8,000 - 12,000 | 11,000 | 13,200 |
| 251 | JAUCHENS Massive hammered copper vase with applied eucalyptus branch of patinated bronze. (The best known example of Jauchens' work). Neatly drilled hole to bottom, light cleaning to patina, touched-up verdigris. Part of signature missing, showing OLDE COPPER SHOP. 16" x 8" | 4,000 - 6,000 | 5,000 | 6,000 |
| 252 | DIRK VAN ERP Hammered copper bean pot lamp, its shade with four mica panels and rolled rim, over a single-socket base. Professionally enhanced patina on shade. Windmill stamp with open box and DIRKVANERP SAN FRANCISCO. 12" x 11 1/4" | 6,000 - 9,000 | 5,500 | 6,600 |
| 253B | ARTHUR F. MATHEWS Bronze-plated panel for the Union Bank doors, "Indian," ca. 1911. (Illustrated in "The Art of Arthur and Lucia Mathews," Oakland Museum, 2006, p.77, and complete with museum tag, and copy of exhibition catalog). Unmarked. 40" x 10 3/4" | 10,000 - 15,000 | 16,000 | 19,200 |
| 254 | RAMSDEN & CARR Sterling pendant with two enameled medallions, one as a blue-green jewel, the other painted with a Pre-Raphaelite maiden, 1905. Both medallions are hinged to allow a chain to move through. Later upper chain, X-shaped hairline on enamel. Stamped R.N & C.R., with lion passant, panther, and k hallmarks. 4 3/4" x 1 1/4" | 2,750 - 3,750 | 2,500 | 3,000 |
| 255 | LIBERTY & CO. Silver bud vase by Archibald Knox with stylized decoration in blue and green enamel. RD467111 Hallmarks L & Co, anchor, rampant lion, K. 5" x 2 3/4" | 4,750 - 5,750 | 6,500 | 7,800 |
| 256 | LIBERTY & CO. Hammered sterling covered box, its lid chased with a cross-section of a seed pod and finial, 1908. Hallmarks: L&Co., anchor, lion passant, n, 5979. 3" x 7" | 1,000 - 1,500 | 2,100 | 2,520 |
| 257 | ANTON PUCHEGGER Cast bronze mantle clock embossed with butterflies. Fine original patina. Signed A PUCHEGGER 1139. 8" x 5" | 1,500 - 2,500 | 1,200 | 1,440 |
| 258 | EDWARD S. CURTIS Large format platinum print, "The Vanishing Race," 1904. In new Arts & Crafts frame. Signed Curtis and stamped C. E.S. CURTIS SEATTLE. Photo: 16" x 20" | 12,000 - 16,000 | 11,000 | 13,200 |
| 259 | WILLIAM WOODWARD Watercolor on paper, "Sandy Pass Annisquam Mass." (An art instructor at R.I.S.D. and Tulane University, Woodward founded the New Orleans Art Pottery, precursor to the Newcomb College Pottery, in 1888). Matted and framed. Signed W. Woodward, 90. Annisquam. Sight: 13 1/2" x 19 1/2" | 1,800 - 2,200 | 1,900 | 2,280 |
| 260 | MARGARET PATTERSON Color woodblock print, "Pink Dogwood". Matted and framed. Pencil-titled and signed. Image: 7" x 10 1/4" | 3,000 - 4,000 | 4,750 | 5,700 |
| 262 | ARTHUR WESLEY DOW Color woodblock print of illustrated poem by Evrett S. Hubbard, "Rain in May." Matted and framed. AWD stamp. Sight: 7 1/2" x 6" | 1,200 - 1,500 | 1,000 | 1,200 |
| 263 | ARTHUR WESLEY DOW Color woodblock print, "Gables by the Bridge," c. 1893. Matted and framed. Unsigned. Image: 2 1/4" x 4" | 1,000 - 1,500 | 850 | 1,020 |
| 264 | ARTHUR WESLEY DOW Four woodblock prints, "Little Venice," sight: 5 1/2" x 3", seashore landscape (short fold), sheet: 6 1/2" x 9", LILY colored drawing from Ipswich prints series F, image: 5 1/2" x 4", and "Emerson House Greeting Cards," image: 3 3/4" x 3". All matted and framed. Last two marked. | 1,000 - 1,500 | 3,000 | 3,600 |
| 265 | ARTHUR WESLEY DOW Color woodblock print, "The Lost Boat." Matted and framed. Unsigned. Image: 5 3/4" x 4" | 1,500 - 2,000 | 3,500 | 4,200 |
| 266 | GUSTAVE BAUMANN Color woodblock print, "Fox River Farmyard", 1908. Soiled paper, dime-sized stain to lower margin. Matted. Pencil-signed and dated. Image, 6 3/4" x 8 3/4" | 1,500 - 2,000 | 1,100 | 1,320 |
| 267 | WILLIAM BRADLEY Poster for Victor Bicycles Overman Wheel Co., printed by Forbes Co. Boston. Folds, tears, and losses. Matted and framed. Signed Bradley on image. Sight: 26" x 39" | 4,000 - 6,000 | 6,000 | 7,200 |
| 268 | ALFONSE MUCHA Poster for Salon des Cent 20th Exposition, 1896. Printed by F. Champenois, Paris. Some discoloration and folds. Matted and framed. Signed Mucha. Sight: 24 1/4" x 16 1/4" | 3,000 - 5,000 | 6,500 | 7,800 |
| 269 | FULPER Table lamp, its ceramic shade inset with small panels of blue-green leaded slag glass on a classically-shaped, two-socket base, covered in a mirrored blue flambe glaze. (Extremely rare, one of only two of these we've seen.) Two short hairlines from rim to glass, original sockets and switch, overall excellent condition. Shade stamped 20 2 2, base has vertical stamped Fulper mark, PATENT PENDING US AND CANADA 20. 21 1/2" x 15 1/4" | 10,000 - 15,000 | 9,000 | 10,800 |
| 271 | AREQUIPA Flaring bowl by Frederick Rhead, its interior decorated in squeezebag with clusters of stylized trees in front of dark mountains and white clouds. (One of only a few Arequipa landscapes known, this is perfectly rendered by Rhead). Ink mark with Arequipa California 269. 2 1/4" x 6 1/4" dia. | 13,000 - 17,000 | 17,000 | 20,400 |
| 273 | RHEAD / SANTA BARBARA Footed bottle-shaped vase, hand modeled by Frederick Rhead with an applied lizard, glazed green against a pale yellow body. (Extraordinary; Rhead was considered more of a designer and painter than a sculptor. This vessel clearly displays his mastery of this discipline). Potter at the wheel stamp. 7 1/2" x 3 3/4" | 22,500 - 27,500 | 19,000 | 22,800 |
| 275 | CALIFORNIA PORCELAIN Gourd-shaped vase with prunts, covered in a fine ivory crystalline glaze. Small chips around foot ring, possibly from grinding. Stamped California Faience. 10 1/4" x 8 1/2" | 1,250 - 1,750 | 1,100 | 1,320 |
| 276 | GRAND FEU Bud vase covered in mottled indigo glaze. Stamped BRAUCKMAN ART POTTERY BG. 4 3/4" x 2 1/2" | 1,250 - 1,750 | 1,100 | 1,320 |
| 277 | GRAND FEU Tall porcelain vase covered in a superior forest green crystalline glaze. (First rate). Stamped GRAND FEU POTTERY L.A. CAL. 70. 10 1/2" x 3 3/4" | 4,000 - 6,000 | 9,000 | 10,800 |
| 278 | MATT MORGAN Large Limoges-style charger painted by Matt Daly with a yellow finch on a blooming branch. Stamped MATT MORGAN ART POTTERY CO. and MAD. 16 1/2" dia. | 800 - 1,200 | 800 | 960 |
| 280 | ROOKWOOD Incised Mat bulbous vase by Sallie Toohey with oak leaves on raspberry ground, 1904. Flame mark/IV/70Z/ST. 5 1/4" x 5" | 1,000 - 1,500 | 800 | 960 |
| 282 | ROOKWOOD Carved Mat vase by William Hentschel with triangular blossoms on full-height stems, under a superior mottled matte green glaze, 1913. Flame mark/XIII/2039D/WEH. 9 1/2" x 4 1/4" | 1,250 - 1,750 | 1,500 | 1,800 |
| 283 | ROOKWOOD Jewel Porcelain tall bottle-shaped vase painted by Lorinda Epply with blue and green blossoms under thick ivory butterfat glaze, 1928. Flame mark/XXVIII/2983/LE. 15 1/2" x 8" | 3,000 - 4,000 | 3,250 | 3,900 |
| 285 | ROOKWOOD Later Mat/Mat Moderne Squat vase by William Hentschel with stylized leaves and berries on an olive green ground, 1926. Flame mark/XXVI/1929/WEH. 5" x 7" | 1,000 - 1,500 | 1,200 | 1,440 |
| 286 | ROOKWOOD Later Mat/Mat Moderne vase by William Hentschel with white leaves on turquoise ground, 1929. Flame mark/XXIX/927D/WEH. 9 1/4" x 7" | 1,400 - 1,900 | 1,100 | 1,320 |
| 287 | ROOKWOOD Incised Mat vase by C. S. Todd with large dogwood blossoms on a pink ground, 1917. Seconded mark for overfiring of blossoms. Flame mark/XVII/670C/C.S.T./X. 9 1/4" x 7 1/4" | 1,000 - 1,500 | 500 | 600 |
| 289 | ROOKWOOD Silver overlaid Standard Glaze vase painted by Sadie Markland with fruiting branches, and covered in silver by Gorham, 1894. Flame mark/162D/SM/L/W; GORHAM MFG R. 1529. 4 3/4" x 4" | 2,000 - 3,000 | 2,800 | 3,360 |
