| Results | 2008 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
return to prices realized index > Rago Arts and Auction Center
Please click on lot number to see image. |
| Lot | Description | Estimate | Hammer Price | Sale Price |
| 1 | Theodore Stamos (American, 1922-1997) L. I. Sound, 1949; Mixed media on composite board (framed); Signed and dated; 7 1/8" x 9 7/8" (sheet); Provenance: Betty Parsons Gallery, New York (label on verso); Private Collection, Pennsylvania Signed "T Stamos 1949" in pencil lower left recto, and etched in paint "T Stamos 49" lower left recto | 2,000 - 3,000 | 12,000 | 14,400 |
| 2 | Anne Ryan (American, 1889-1954) Untitled, 1950's; Collage on paper (framed); Signed; 7" x 5 5/8" (sight); Provenance: Private Collection, Massachusetts Signature on lower right recto | 4,000 - 6,000 | 8,000 | 9,600 |
| 3 | Lenore Tawney (American, b. 1925) Inexhaustible Point, 1968; Mixed media; Signed, dated and titled; 8 1/2" x 8 3/4" x 2"; Provenance: Benson Gallery, Long Island (label on verso); Private Collection, New York signed "L.T. 7.2.68" in ink on lower right recto, titled "Inexhaustible Point" in ink lower left recto | 2,000 - 3,000 | 4,000 | 4,800 |
| 4 | John Saccaro (American, 1913-1981) Fing's Ain't, 1961; Oil on canvas (framed); Signed and dated; 36" x 44"; Provenance: Private Collection, New York Signed "Saccaro '61" on verso, surface dirt, light cracks in isolated areas | 12,000 - 18,000 | 18,000 | 21,600 |
| 5 | Richard Pettibone (American, b. 1938) Andy Warhol, Marilyn Monroe 1964, 1968; Acrylic and silkscreen on canvas (framed); Signed, dated and titled; 5" x 5"; Provenance: OK Harris, New York; Private Collection, New Jersey Signed "R Pettibone 1968, Andy Warhol Marilyn Monroe 1964 OK #245" in ink on stretch on verso | 60,000 - 80,000 | 70,000 | 84,000 |
| 6 | Richard Pettibone (American, b. 1938) Roy Lichtenstein, Aloha 1962, 1968; Acrylic and silkscreen on canvas (framed); Signed, dated and titled; 6 1/4" x 6 1/4"; Provenance: Private Collection, New Jersey Signed "R Pettibone 1968, Lichtenstein Aloha 1962" in ink on stretch on verso | 40,000 - 60,000 | 55,000 | 66,000 |
| 7 | Richard Pettibone (American, b. 1938) Jasper Johns, The Disappearance II 1961, 1967; Acrylic on canvas (framed); Signed, dated and titled; 7 1/2" x 7 1/2"; Provenance: Private Collection, New Jersey Signed "Richard Pettibone 1967, Jasper Johns The Disappearance II 1961" in ink on stretch on verso | 18,000 - 24,000 | 18,000 | 21,600 |
| 10 | Mike Bidlo (American, b. 1953) Not Pollock (a section from the re-creation of Pollock's Blue Poles made in front of the Metropolitan Museum in 1983), 1983; Acrylic and enamel on Masonite; 12" x 12"; Accompanied by a photograph by Hope Sandrow of Mike Bidlo creating this piece.; Provenance: Private Collection, New York | 1,200 - 1,800 | 13,000 | 15,600 |
| 12 | Andy Warhol (American, 1928-1987) Howdy Doody; Graphite on paper (framed); 31 1/4" x 23 1/2" (sheet); Provenance: Wooster Projects, New York (label on verso); Private Collection, Pennsylvania Hand-made paper with deckle edge all around; stamp marked verso; tacked archival mount to archival board, matted and framed; some smudges to pencil top and left. | 60,000 - 80,000 | 55,000 | 66,000 |
| 13 | Roy De Forest (American, 1930-2007) Portrait of Allan Adams on Dog, 1979; Pastel on paper (framed); Signed and dated; 21 3/4" x 29 1/2" (sight); Provenance: The Derek Mason and Daniel Jacobs Collection, Virginia Signed "DeForest 1979" in center of picture, 1/2" x 4" area of water stain along lower left edge | 2,000 - 3,000 | 1,000 | 1,200 |
| 14 | Lynda Benglis (American, b. 1941) Lagniappe 25/26, 1978; Cast paper, acrylic and glitter; Signed; 36" x 12 1/2" x 5"; Provenance: The Derek Mason and Daniel Jacobs Collection, Virginia Signed "L. Benglis 25/26" marker inside sculpture, cast paper, acrylic, gold leaf, glitter, surface dirt, stamp on bottom of paper | 2,000 - 3,000 | 4,250 | 5,100 |
| 15 | David Salle (American, b. 1952) Untitled, 1978; Pastel on paper (framed); Signed and dated; 22 1/4" x 30" (sheet); Provenance: The Derek Mason and Daniel Jacobs Collection, Virginia Signed "David Salle 1978" in pencil lower right recto, pinholes upper left and right corner | 3,000 - 5,000 | 2,000 | 2,400 |
| 16 | Charles Garabedian (American, b. 1923) Torso and Wood Grain, 1983; Acrylic on panel; 21 7/8" x 17"; Provenance: the artist; Private Collection, New York Overall good condition. Handling marks and light surface dirt. | 800 - 1,200 | 1,600 | 1,920 |
| 17 | Jonathan Borofsky (American, b. 1942) Untitled (2,708,911), 1979; Graphite on paper (framed); 17" x 14" (sheet); Provenance: Paula Cooper Gallery, New York (label on verso); Private Collection, New York In pencil "2708911" lower right recto; pinholes in corners; light handling marks throughout, light crease lower left corner | 1,800 - 2,400 | 1,500 | 1,800 |
| 18 | Dorothea Rockburne (American, b. 1934) Carta Carbone, 1972; Pencil and carbon paper on paper (framed); Signed and dated; 7 1/2" x 11 1/2" (sheet); Provenance: Annemarie Verna, Zurich (label on verso); Private Collection, New York Signed and dated "Rockburne '72" in pencil lower right recto. | 1,500 - 2,000 | 2,700 | 3,240 |
| 19 | Richard Nonas (American, b. 1936) Afrique Chair, 1978; Cor-ten steel; 25" x 7" x 22"; Provenance: Hill Gallery, Birmingham, Michigan; Private Collection | 3,000 - 5,000 | 5,500 | 6,600 |
| 20 | Eric Fischl (American, b. 1948) Untitled, 1981; Oil wash on paper (framed); Signed and dated; 40" x 26" (sheet) Provenance: The Derek Mason and Daniel Jacobs Collection, Virginia signed "Fischl 81" lower left recto. Made up of two sheets of paper, pinholes on all corners | 7,000 - 9,000 | 11,000 | 13,200 |
| 21 | James Brown (American, b. 1951) Untitled, 1981; Oil on paper mounted to linen; 60" x 52"; Provenance: Wessel & O'Connor Fine Art, New York | 10,000 - 15,000 | 10,000 | 12,000 |
| 23 | Tom Holland (American, b. 1936) Es #8, 1980; Acrylic and epoxy on paper; Signed, dated and titled; 30" x 35 1/2" x 8"; Provenance: The Derek Mason and Daniel Jacobs Collection, Virginia Signed "Holland 1980 #8" inside bottom of sculpture | 1,000 - 2,000 | 750 | 900 |
| 24 | Joan Snyder (American, b. 1940) God Bless the Child, 1980; Mixed media on canvas; 72" x 120"; Provenance: Private Collection, New York | 10,000 - 15,000 | 12,000 | 14,400 |
| 25 | Joan Nelson (American, b. 1958) Two works of art: Untitled, 1984; Egg tempera on board; Signed and dated; 25 1/4" x 24 1/4"; Untitled, 1984; Mixed media on paper (framed); 25 1/4" x 18" (sight); Exhibition: P.P.O.W., New York, January - February 1985; Provenance: P.P.O.W. Gallery, New York (label on verso); The Derek Mason and Daniel Jacobs Collection, Virginia First Untitled signed "Joan Nelso 1984" in red marker on verso; damage with paint loss to upper right corner (1/2"), #14 in exhibition; Second untitled; good condition, light cresent shaped marked in lower left quadrant, #24 in exhibition. (wax, dry pigment and oil pastel on paper) | 4,000 - 6,000 | 2,000 | 2,400 |
| 26 | Piero Pizzi Cannella (Italian, b. 1955) Untitled, 1988; Mixed media on board (framed); 19 1/2" x 14" (sheet); Provenance: Private Collection, New York | 7,000 - 9,000 | 5,500 | 6,600 |
| 27 | Piero Pizzi Cannella (Italian, b. 1955) Cuore 4 Cuore, 1988; Ink on paper (framed); Signed; 13 3/8" x 9 1/2" (sheet); Provenance: Private Collection, New York signed lower right recto | 3,000 - 5,000 | 2,300 | 2,760 |
| 28 | Robert Moskowitz (American, b. 1935) Flatiron, 1984; Pastel on paper (framed); Signed and dated; 15 1/2" x 11 3/4" (sheet); Provenance: Lawrence Markey, Inc., New York (label on verso); Private Collection, New York Signed "MR '84" in pencil lower right edge recto | 1,800 - 2,400 | 2,400 | 2,880 |
| 29 | Martin Wong (American, 1946-1999) Jodie Foster, An Expert Tells Why Fans Turn Fanatic, 1982; Acrylic and enamel on canvas; 35 3/4" x 48"; Provenance: Semaphore Gallery, New York (label on verso); Private Collection, New York a few areas of paint loss along the edges, light surface dirt | 4,000 - 6,000 | 6,000 | 7,200 |
| 30 | John Duff (American, b. 1943) Untitled, 1984; Fiberglass and wood; Signed and dated; 62" long; Provenance: Hill Gallery, Birmingham, Michigan; Private Collection signed "John Duff 1984" on bottom back | 3,000 - 5,000 | 2,800 | 3,360 |
| 31 | Julian Schnabel (American, b. 1951) Untitled (FF), 1986; Oil on tarpaulin; 120" x 108"; Provenance: The artist; Private Collection, Los Angeles; Private Collection, New York | 80,000 - 100,000 | 50,000 | 60,000 |
| 32 | Peter Schuyff (Dutch, b. 1958) Untitled, 1986; Acrylic on linen; Signed and dated; 75" x 75"; Provenance: Pat Hearn Gallery, New York (label on verso); Private Collection, New York signed and dated on verso | 1,800 - 2,400 | 5,000 | 6,000 |
| 33 | Robert Barry (American, b. 1936) Untitled, 1977; Ink on paper (framed); 16 7/8" x 13 7/8" (sheet); Provenance: Hirschl & Adler Modern, New York (label on verso), Private Collection, New York | 2,000 - 3,000 | 4,000 | 4,800 |
| 34 | Joseph Beuys (German, 1921-1986) DDR Radikal Kubismus, 1983; Pencil on collapsed cardboard carton (framed); Signed, dated and titled; 19 1/2" x 14" (irregular); Exhibition: "Art and the Social Conscious," Robert McClain & Co., Houston, 1994; Provenance: The artist; Klaus Staeck, Heidelberg, Germany; Private Collection, London; Karsten Schubert, Ltd., London; Private Collection, New York Signed "Beuys 1983" in pencil upper center recto, titled "DDR Radikal Kusismus" in pencil lower center recto. | 4,000 - 6,000 | 10,000 | 12,000 |
| 35 | David Kroll (American, b. 1956) Plums, 1991; Oil on linen; Signed, dated and titled; 17 3/4" x 23"; Provenance: Private Collection, New York Signature "Plums David Kroll 1991" in ink on verso | 1,000 - 1,500 | 1,200 | 1,440 |
| 36 | John Lees (American, b. 1943) Seascape, 1979; Oil on canvas (framed); Signed and dated; 10 1/4" x 11 1/4"; Exhibition: "Shift: LA/NY," Newport Harbor Art Museum, Newport Beach, CA, 1982-83 (label on verso); Provenance: Edward Thorp Gallery, New York (label on verso); Peter Bonnier, New York; Private Collection, New York Signed "J. LEES / NYC '79" on verso. | 800 - 1,200 | 1,300 | 1,560 |
| 37 | Gregory Amenoff (American, b. 1948) Portal, 1985; Oil on canvas; Signed, dated and titled; 25 1/8" x 24 1/8"; Provenance: the artist; Robert Miller Gallery, Inc., New York (label on verso); Private Collection, New York "PORTAL / Gregory Amenoff 6/85 NYC" in marker on verso. | 2,500 - 3,500 | 2,500 | 3,000 |
| 39 | Donald Baechler (American, b. 1956) Untitled (Fruit), 1989; Oil and collage on paper (framed); Dated; 26 1/2" x 20 1/2" (sheet); Provenance: McClain Gallery, Houston, TX (label on verso); Private Collection, New York Dated "1989" in pencil lower right recto. Multiple pinholes in all corners. | 8,000 - 12,000 | 8,500 | 10,200 |
| 40 | Donald Baechler (American, b. 1956) Untitled (Socks), 1989; Oil and collage on paper (framed); Signed and dated; 26 1/2" x 20 1/2" (sheet); Provenance: Galleria Lucio Amelio, Naples (label on verso); Private Collection, New York Signed "DB 89" in pencil lower right recto, muliple pin holes in all corners, paper is buckled and creased due to artist process | 8,000 - 12,000 | 8,000 | 9,600 |
| 41 | Nancy Spero (American, b. 1926) Sky Goddess Nut, Virgin Mary, Death Head, 1991; Collage and ink on woodcut (framed); Signed, dated and titled; 19 1/2" x 24 1/2" (sheet); Literature: Bird, Jo, Nancy Spero, New York: Phaidon Press, Inc., 1996. (pg. 60); Exhibitions: "Sky Goddess/Egyptian Acrobat and Cabaret," Josh Baer Gallery, New York, 1991; Provenance: Private Collection, New York signed "Spero 91" and title in pencil on lower recto; light handling marks along bottom edge | 4,000 - 6,000 | 5,000 | 6,000 |
| 44 | Jane Hammond (American, b. 1950) TV Dervish, 1998; Mixed media on paper (framed); 36 3/4" x 32" (sheet); Provenance: Private Collection, New York | 3,000 - 5,000 | 3,000 | 3,600 |
| 45 | Jane Hammond (American, b. 1950) Devil Girl, 1994; Mixed media on paper (framed); Signed, dated and titled; 21" x 17" (sheet); Provenance: Private Collection, New York Signed "Devil Girl Hammond '94" in pencil lower recto | 1,000 - 1,500 | 1,200 | 1,440 |
| 46 | Radcliffe Bailey (American, b. 1968) Blacknuss, 1995; Mixed media on wood; Signed and titled; 60 3/8" x 60" x 3 3/4"; Provenance: Private Collection, New York Signed and titled on recto, acrylic and tar on wood | 7,000 - 9,000 | 14,000 | 16,800 |
| 47 | Elliot Green (American, b. 1960) Untitled (Emergence 30), 1992; Acrylic on canvas; Signed, dated and titled; 24" x 36"; Provenance: Private Collection, New York Signed and dated "Elliot Green 1992" lower right recto. Titled and dated "EMERGENCE 30, 1992" in ink on verso. | 1,000 - 2,000 | 750 | 900 |
| 48 | Martin Mull (American, b. 1943) Study for A Walk in the Park 1, 1994; Watercolor on paper; Signed; 17 1/4" x 13 3/4" (sheet); Provenance: Private Collection, New York Signed "MM 94" lower center recto, muliple pin holes on all corners | 1,000 - 1,500 | 1,600 | 1,920 |
| 49 | Amy Sillman (American, b. 1966) Untitled, 1992: Mixed media on paper (framed); Signed; 19 3/4" x 24 1/4" (sheet); Provenance: Private Collection, New York Signed "AS 1992" in pencil lower recto | 2,500 - 3,500 | 3,000 | 3,600 |
| 51 | Anton Henning (German, b. 1964) Untitled, 1991; Oil on canvas (framed); 70 1/2" x 60 1/3"; Literature: Anton Henning, with text by Eli Gottlieb, Galer°a Ramis Barquet, Monterrey, Mexico: Proceso Grafico, 1996; Exhibition: Galeria Ramis Barquet, Monterrey, Mexico, January 1996; Provenance: Private Collection, New York | 25,000 - 35,000 | 27,000 | 32,400 |
| 53 | Mel Bochner (American, b. 1940) Measurements: 12", 2000; Oil on paper; Signed, dated and titled; 9" x 12 1/4"; Provenance: Private Collection, New York | 2,500 - 3,500 | 6,500 | 7,800 |
| 54 | John Beech (British, b. 1964) Extended Painting, 1995; Paint, Plexiglas and resin; 33 X 23 1/4 X 1/4"; Provenance: Private Collection | 2,000 - 3,000 | 1,600 | 1,920 |
| 55 | Gunther Forg (German, b. 1952) Skizze zu Farbfeld (Color Field Sketch), 1986; Oil on panel (in artist's frame); Signed, dated and titled; 34" x 45 7/8"; Provenance: Lawrence Markey, Inc., New York (label on verso), Richard Green Gallery, Los Angeles (label on verso), Andrew Dierken Fine Arts, Los Angeles (label on verso), Private Collection, San Francisco Signed "Forg Skizze zu Farbfeld 1986" in marker on verso, scuff marks with paint loss on lower left edge and bottom edge | 10,000 - 15,000 | 7,500 | 9,000 |
| 57 | Michelle Fierro (American, b. 1967) Staging 111, 1996; Mixed media on canvas; Signed, dated and titled; 15" x 18"; Provenance: Bennett Roberts Fine Art, Los Angeles (label on verso); Private Collection | 800 - 1,000 | 425 | 510 |
| 58 | George Stoll (American, b. 1954) Untitled, 1995; Beeswax, paraffin and pigment; 13 1/4" high; Exhibitions: "Happy Days: Mark Bennett and George Stoll," The Contemporary Arts Center, August 12 - November 30, 1996; Provenance: Private Collection | 3,000 - 5,000 | 3,000 | 3,600 |
| 60 | Alexis Rockman (American, b. 1962) The Introduction of the Eastern Grey Squirrel, 1997; Watercolor on paper; Signed, dated and titled; 38 1/2" x 29 1/2" (sheet); Provenance: Private Collection, San Francisco Signed, titled and dated in pencil on verso, tape remnants on all sides of verso | 2,000 - 4,000 | 1,500 | 1,800 |
| 62 | Bert de Beul (Belgian, b. 1961) Untitled, 1999; Oil on canvas; Signed and dated; 24 3/8" x 29"; Provenance: Kewenig Galerie, Cologne (label on verso); Private Collection Signed "Bert de Beul 1999 (c)" on verso | 2,000 - 3,000 | 3,000 | 3,600 |
| 65 | Tomas Nakada (Japanese/American, b. 1951) Two works of art: The Fall, 1992; Oil and wax on canvas (framed); Signed, dated and titled; 10" x 8"; Orbs III, 1992; Oil and wax on canvas (framed); Signed, dated and titled; 12" x 9"; Provenance: Gallery Paule Anglim, San Francesco (label on verso); Private Collection The Fall signed "The Fall 92/Tomas Nakada" in ink on verso, Orbs III signed "Orbs III 92/Tomas Nakada" in ink on verso | 800 - 1,200 | 800 | 960 |
| 66 | Dean Smith (American, b. 1961) Untitled, 1994; Oil and wax on canvas; Signed and dated; 15 1/4" x 14 1/8"; Provenance: Private Collection Signed "Dean Smith 1994" on verso | 1,000 - 2,000 | 1,000 | 1,200 |
| 67 | Eve Aschheim (American, b. 1958) GT/EA 798.AW3, 1998; Encaustic painting on paper (framed); 22 3/4" X 22 1/2" (sheet); Provenance: Private Collection | 900 - 1,200 | 800 | 960 |
| 68 | Suzanne Caporael (American, b. 1949) 021 (X-5X Black Spruce), 1994; Oil on muslin mounted on wood (framed); 26 X 20"; Provenance: Private Collection | 3,500 - 4,500 | 5,000 | 6,000 |
| 70 | Yun-Fei Ji (Chinese, b. 1963) S.R., 1998; Pigment on xuan paper mounted on board (framed); Signed and titled; 25 7/8" x 13 1/2"; Provenance: Pierogi 2000, New York; Private Collection, New York Signed "S.R." Yun-Fei in ink on verso | 2,500 - 3,500 | 2,600 | 3,120 |
| 71 | Lawrence Carroll (Australian, b. 1954) Untitled, 1996-1997; Oil, acrylic, collage, pencil and pastel on linen mounted to board; Signed and dated; 30" X 22"; Provenance: Private Collection Signed "Lawrence Carroll 96-97" in marker on verso | 3,000 - 5,000 | 2,600 | 3,120 |
| 72 | Jae Ko (Korean, b. 1961) Untitled, 1999; Rolled paper and sumi ink; 15 1/2" diameter x 5 1/2" deep; Accompanied by a paintbrush signed by the artist.; Provenance: Private Collection in addition is a paint brush signed Jae Ko | 2,000 - 3,000 | 1,800 | 2,160 |
| 73 | Tatsuo Miyajima (Japanese, b. 1957) Drawing for Region No. 114701 - No. 114800, 1991; Ink and collage on paper (framed); Signed, titled and dated; 24 3/8" x 35 1/4" (sight); Provenance: Gallery Takagi, Nagoya, Japan (label on verso); Grant Selwyn Fine Art, New York (label on verso); Angles Gallery, Santa Monica (label on verso); Private Collection, New York | 2,000 - 3,000 | 2,100 | 2,520 |
| 75 | Vong Phaophanit (Laosean, b. 1961) Untitled, 1999; Plastic chair; 19 3/4" high; Provenance: Private Collection, New York | 2,000 - 3,000 | 1,300 | 1,560 |
| 76 | Roxy Paine (American, b. 1966) RF 15, 1999; Polymer; Signed and titled; 10 1/2" high; Provenance: Private Collection, New York | 1,200 - 1,800 | 2,700 | 3,240 |
| 77 | David Dupuis (American, b. 1959) Untitled, 1997; Graphite and colored pencil on paper (framed); 30" x 44" (sheet); Provenance: Derek Eller Gallery, New York (label on verso); Private Collection one pin hole in each corner, made of two sheets of paper | 1,000 - 1,500 | 1,700 | 2,040 |
| 78 | Angelbert Metoyer (American, b. 1977) Jin II, 1997; Mixed media on paper (framed); Signed; 48" x 39" (sheet, irregular); Provenance: Barbara Davis Gallery, Houston; Private Collection | 1,000 - 1,500 | 2,700 | 3,240 |
| 80 | Stephanie Pryor (American, b. 1971) Untitled, 2001; Acrylic on paper (framed); 26" x 39 3/4" (sheet); Provenance: Private Collection, New York | 1,800 - 2,400 | 1,400 | 1,680 |
| 82 | Emily Sartor (American, b. 1975) On A Clear Day You Can See For Miles, 2004; Oil on canvas; Signed, dated and titled; 38" x 52"; Provenance: Massimo Audiello, New York (label on verso); Private Collection Signed "On A Clear Day You Can See For Miles/Emily W Sartor/2004" in ink on verso | 1,500 - 2,000 | 1,100 | 1,320 |
| 84 | Emi Avora (Greek, b. 1979) High Expectations, 2004; Watercolor on paper (framed); 31 1/2" x 44 1/2" (sheet); Provenance: Greenberg Van Doren Gallery, New York (label on verso); Private Collection, New York 2" cut on top of paper (by artist); paper is slightly buckled due to the nature of the medium | 1,500 - 2,500 | 1,500 | 1,800 |
| 85 | W. C. Richardson (American, b. 1953) Offset Wave, 2000; Oil and alkyd on canvas; Signed, dated and titled; 77" x 77"; Provenance: Baumgartner Gallery, New York; Private Collection Signed "W.C. Richardson/OFFSET WAVE/2000 (c)/ OIL/ALKYD" on verso | 3,000 - 4,000 | 2,900 | 3,480 |
| 86 | Dominique Gauthier (French, b. 1953) Arlequinades II, 1999-2000; Acrylic on canvas; Signed, dated and titled; 96" x 96"; Provenance: Roebling Hall, New York, Private Collection | 1,800 - 2,400 | 2,600 | 3,120 |
| 87 | James Nares (British, b. 1953) Untitled, 2000; Oil on paper (framed); Signed and dated; 16 3/4" x 13 3/4" (sight); Provenance: Private Collection, New York Signed "Nares 2000" in pencil lower right recto, handling marks on mat board | 3,000 - 5,000 | 4,500 | 5,400 |
| 91 | Martha Armstrong (American, b. 1935) Dancing Over Clint's Field, 2002; Oil on canvas laid on panel(framed); Signed, dated and titled; 14 3/8" x 17 3/4"; Provenance: Walter Wickiser Gallery, New York; Private Collection Signed "MA" lower recto, titled and dated in pencil on verso, stretcher | 800 - 1,200 | 1,700 | 2,040 |
| 93 | Keith Mayerson (American, b. 1966) Rembrandt, 2002; Oil on linen (framed); Signed, dated and titled; 20" x 18"; Provenance: Derek Eller Gallery, New York (label on verso); Private Collection Signed "Keith Mayerson 2002" in ink on verso, in paint I/RA/I MY/Wish | 900 - 1,200 | 1,000 | 1,200 |
| 94 | David Rayson (British, b. 1966) The Hall, 1997; Acrylic on board; Signed, dated and titled; 27 1/2" x 19 1/2; Provenance: Private Collection, New York | 1,000 - 1,500 | 1,000 | 1,200 |
| 96 | John Widman (American, b. 1972) Lost, 2002; Tempera on linen; Signed, dated and titled; 36" x 42"; Provenance: Klemens Gasser & Tanja Grunert Gallery, New York; Private Collection signed "LOST /'02/John Widman" on verso | 1,000 - 1,500 | 900 | 1,080 |
| 97 | Nick Mauss (American, b. 1980) Untitled, 2003; Mixed media on paper (framed); Signed and dated; 12 3/8" x 10 3/8" (sheet); Exhibition: "Magnetic Living," Daniel Reich Gallery, New York, November 22, 2003 - January 2004; Provenance: Daniel Reich Gallery, New York; Private Collection, New York Signed "Nick Mauss 2003" in pencil on verso | 1,500 - 2,000 | 2,000 | 2,400 |
| 98 | Tim Lokiec (American, b. 1977) Two works of art: Les Yper-Sound, 2001; Mixed media on paper (framed); Signed, dated and titled; 13" x 14" (sheet); Signul Signils, 2002; Mixed media on paper (framed); Signed and titled; 8 1/2" x 14" (sheet); Provenance: Zach Feuer Gallery (LFL), New York; Private Collection, New York Les Yper: Signed "Tim Lokiec -2000 Les Yper-Sound" in pencil on verso, fold in center (due to artist process) and multiple pin holes in corners. Signul: titled on recto, signed Tim Lokiec in pencil on verso, pin holes upper top corners, fold and creases due to artist process | 1,500 - 2,000 | 1,400 | 1,680 |
| 99 | Chris Johanson (American, b. 1968) Untitled; Acrylic on paper (framed); 24" x 34" (sight); Literature: Beautiful Losers/Contemporary Art and Street Culture, New York: D.A.P./Iconoclast; 2nd edition, 2004; Provenance: Private Collection, New York | 5,000 - 7,000 | 6,500 | 7,800 |
| 100 | Mauro Piva (Brazilian, b. 1977) Three works of art: Untitled (Man in Square Box), 2001; Watercolor, ink, color pencil and graphite on paper (framed); 12" x 9" (sheet); Untitled (Man in Green Column), 2001; Watercolor, ink, color pencil and graphite on paper (framed); 15 1/8" x 9 3/4" (sheet); Untitled, 1999; Ink and watercolor on paper (framed); 11 7/8" x 9" (sheet); Provenance: Galeria Camargo Vilaca, Sao Paulo (label on verso of one); Private Collection, New York | 1,800 - 2,400 | 1,500 | 1,800 |
| 103 | Amy Gartrell (American, 20th C.) High School Figures, 2005; Marker and pen on paper (framed); 30" x 25" (sheet); Provenance: Daniel Reich Gallery, New York (label on verso); Private Collection, New York | 2,000 - 3,000 | 1,700 | 2,040 |
| 104 | Royal Art Lodge (Michael Dumontier, Marcel Dzama, Neil Farber) The New Freedom, 2004; Mixed media on canvas; Dated and titled; 8" x 10"; Provenance: Perugi Artecontemporanea Gallery, Padua; Private Collection, New York (acquired at the NADA Art Fair, Miami, 2004) Titled and stamp dated on recto | 1,500 - 2,000 | 1,500 | 1,800 |
| 105 | Jason Jagel (American, b. 1971) Untitled, 2002; Gouache and graphite on paper (framed); 9" x 9" (sheet); Provenance: Richard Heller Gallery, Santa Monica; Private Collection, New York (acquired at the NADA Art Fair, Miami, 2004) | 1,500 - 2,000 | 1,300 | 1,560 |
| 106 | Keegan McHargue (American, b. 1982) Envyous Me, 2003; Mixed media on paper (framed); Signed, dated and titled; 17 1/4" x 21 3/4" (sheet); Provenance: Jack Hanley Gallery, San Francisco; Wendy Cooper Gallery, Madison, WI; Private Collection, New York Signed "K McHargue Envyous Me 2003" in ink on verso, two piece of hinging tape still on top of piece | 5,000 - 7,000 | 4,000 | 4,800 |
| 107 | Julio Galan (Mexican, 1959-2006) Yo No Soy Para Ti, 1991; Watercolor and gouache on paper (framed); Signed and dated; 9 3/4" x 13 3/4" (sheet); Provenance: Iturralde Gallery, Los Angeles (label on verso); Private Collection, New York | 1,500 - 2,000 | 1,100 | 1,320 |
| 108 | Oliver Herring (German/American, b. 1964) Untitled, 1998; Knit transparent mylar and glass paint (framed); Signed, dated and titled; 13 1/2 x 9 1/2"; Provenance: Max Protetch, New York (label on verso); Private Collection, New York Signed, titled and dated "O. HERRiNG Untitled 98/March" in ink on verso of frame. | 1,000 - 1,500 | 1,400 | 1,680 |
| 111 | Rob Fischer (American, b. 1968) Eight Barrels, 2003; Pencil on paper (framed); Signed; 37" x 47" (sheet); Provenance: Mary Goldman Gallery, Los Angeles (label on verso); Private Collection Signed "Rob Fischer" in ink on gallery label | 1,500 - 2,000 | 2,400 | 2,880 |
| 113 | Benjamin Degen (American, b. 1976) Signal, 2004; Graphite and colored pencil on paper (framed); 9" x 6" (sheet); Provenance: Guild & Greyshkul, New York (label on verso); Private Collection, New York | 1,000 - 1,500 | 1,000 | 1,200 |
| 114 | Eric Heist (American, b. 1962) Untitled, 2003; Graphite on paper (framed); 20 5/8" x 28 1/2" (sight); Provenance: Private Collection | 700 - 900 | 600 | 720 |
| 115 | Damien Smith (Canadian, b. 1969) South Residence Complex 1966 Guelph, Canada, 1998; Graphite on paper (framed); Signed and dated; 5 3/4" x 7 5/8" (image), 22 3/4" x 30" (sheet); Provenance: Paul Morris Gallery, New York (label on verso); Lucas Schoorman, New York (label on verso); Kenneth L. Freed Collection, Boston (label on verso); Private Collection Signed "Smith 98" in pencil lower left recto | 700 - 900 | 600 | 720 |
| 116 | Graham Gussin (British, b. 1960) Untitled, 1996; Graphite on paper (framed); 31 1/4" x 42 3/4" (sheet); Provenance: Lotta Hammer, London (label on verso); Private Collection, New York | 800 - 1,200 | 750 | 900 |
| 117 | Matt Mullican (American, b. 1951) Untitled, 2005; Graphite on paper (framed); Signed and dated; 32" x 16" (sheet); Provenance: White Columns, New York; Private Collection, New York signed "Matt Mullican 2005" in pencil on verso | 2,500 - 3,500 | 2,100 | 2,520 |
| 118 | Tim Maxwell (American, 20th C.) Darwin Statue (Survival of the phattest), 2005; Pen on paper (framed); 60" x 90" (sheet); Provenance: Private Collection | 800 - 1,200 | 700 | 840 |
| 119 | Susan Hartnett (American, b. 1940) Reed Canary Grass Phalaris arundinacea, November 14, 1998 #1, 1998; Charcoal on paper (framed); Initialed; 18" x 23 1/2" (sheet); Provenance: Danese, New York (label on verso); Bobbie Greenfield Gallery, Santa Monica (label on verso); Private Collection, New York | 1,800 - 2,400 | 1,400 | 1,680 |
| 120 | George Negroponte (American, b. 1953) Untitled, 2002; Gouache and acrylic on paper (framed); Initialed and dated; 16 1/2" x 14 1/2"; Provenance: Private Collection, New York Initialed and dated "S.N. 2002" in pencil lower right recto. | 800 - 1,200 | 850 | 1,020 |
| 121 | Sharon Louden (American, b. 1964) The Lingering, 2003; Mixed media on panel (framed); Initialed and dated; 19 7/8" x 23 7/8"; Provenance: Private Collection, New York | 3,000 - 5,000 | 2,400 | 2,880 |
| 122 | Erwin Redl (Austrian, b. 1963) Untitled (Solder Series - Negative), 2002; Two solder on paper (each framed); Each initialed and dated; 50" x 38" (sheet) each; Provenance: Private Collection, New York | 3,000 - 5,000 | 2,200 | 2,640 |
| 123 | Jim Lambie (Scottish, b. 1964) Untitled, 2000; Cut paper with collage (framed); Signed and dated; 13 1/4" x 7 1/4" (sheet, irregular); Provenance: Fundacja Galerii Foksal, Warsaw, Private Collection, San Francisco Signed "Jim Lambie 2000" in ink on verso | 1,500 - 2,500 | 2,700 | 3,240 |
| 125 | Clara Desire (French, b. 1978) A Ghost, 2007; Acrylic and pencil on canvas (diptych); Signed and titled; 45 3/4" x 35" (each); Provenance: Galerie Sho Contemporary Art, Tokyo signed "(c) Desire" and titled on recto | 2,000 - 3,000 | 2,800 | 3,360 |
| 127 | Eric Niebuhr (American, b. 1972) They Were Trying to Leave the Past But Didn't Make It, 2000; Acrylic on canvas on panel; 39" x 32"; Provenance: Mary Goldman Gallery, Los Angeles; Private Collection | 900 - 1,200 | 950 | 1,140 |
| 128 | Hiroto Murakami (Japanese, b. 1972) Three works of art: Poppy #1, 2007; Oil and tempera on canvas; Signed, dated and titled; 20 7/8" x 20 7/8"; Cosmos, 2007; Oil and tempera on canvas; Signed, dated and titled; 20 7/8" x 20 7/8"; Hydrangea, 2007: Oil and tempera on canvas; Signed, dated and titled; 20 7/8" x 20 7/8"; Provenance: Galerie Sho Contemporary Art, Tokyo Each signed "Hiroto Murakami, titled and dated 2007" on verso, in addition Japanese charaters | 3,000 - 5,000 | 4,000 | 4,800 |
| 130 | Judy Ledgerwood (American, b. 1959) Lil Spot 2, 2004; Oil on canvas; Signed, dated and titled; 15 1/8" x 15"; Provenance: Lemberg Gallery, Michigan; Private Collection Signed in pencil " Judy Ledgerwood (c) 2004/ Lil Spot 2" on verso, light surface dirt | 1,000 - 1,500 | 1,900 | 2,280 |
| 131 | Jenny Hankwitz (American, 20th C.) Fearless, 2002; Oil on canvas; Signed, dated and titled; 77" x 88"; Provenance: Cheryl Pelavin Fine Art, New York; Private Collection signed "J Hankwitz 2002 o/c FEARLESS" on verso | 1,800 - 2,400 | 1,800 | 2,160 |
| 132 | Victoria Morton (Scottish, b. 1971) 94 High, NY, 1998; Oil on canvas; Signed, dated and titled; 11 3/4" x 10 1/4"; Provenance: Private Collection, New York | 800 - 1,200 | 1,100 | 1,320 |
| 134 | Tony Bechara (Puerto Rican, b. 1943) Untitled, 2005; Acrylic on canvas; 10" x 10"; Provenance: Private Collection, New York | 1,500 - 2,000 | 1,500 | 1,800 |
| 135 | Antonio Murado (Spanish, b. 1964) Untitled, 2000; Oil on canvasboard (framed); Signed and dated; 10 3/4" X 13 3/4" (sheet); Provenance: The artist, Private Collection Signed AM '00 in red lower right recto | 1,500 - 2,500 | 1,000 | 1,200 |
| 136 | Andy Warhol (American, 1928-1987) After the Party, 1979; Screenprint in colors (framed); Signed and numbered 25/1000; 21 1/2" x 30 1/2" (sheet); Printer: Rupert Jasen Smith, New York; Publisher: Gosset and Dunlap, Inc., New York; Literature: Feldman & Schellmann, II.183; Provenance: Private Collection, New York Signed "Andy Warhol 25/1000" in pencil on lower right recto | 5,000 - 7,000 | 10,000 | 12,000 |
| 137 | Andy Warhol (American, 1928-1987) Jackie II, 1966; Screenprint in colors (framed), Stamped "Andy Warhol" on verso; 24" x 30" (sheet); Printer: KMF, Inc.; Publisher: Original Editions, New York; Literature: Feldman & Schellmann, II.14; Provenance: Estate of Carl M. Allen, Ohio crimp to top right corner and small blemish to top left corner, Stamped Andy Warhol on verso, hinged mounted | 8,000 - 12,000 | 13,000 | 15,600 |
| 138 | Andy Warhol (American, 1928-1987) Electric Chair, 1971; Screenprint in colors (framed); Signed with stamped number 32/250; 33 1/4" x 46" (sight); Publisher: Edition Bischofberger, Zurich (stamp on verso); Literature: Feldman & Schellmann, II.80; Provenance: Private Colllection, New York Signed "Andy Warhol" in pencil lower left verso, Publisher stamp and edition number on lower right verso | 8,000 - 12,000 | 12,000 | 14,400 |
| 139 | Andy Warhol (American, 1928-1987) St. Apollonia, 1984; Screenprint in colors (framed); Signed and numbered 204/250; 30" x 22" (sheet); Printer: Rupert Jasen Smith, New York; Publisher: Dr. Frank Braun, Dusseldorf; Literature: Feldman & Schellmann, New York, II.333; Provenance: Private Collection, New York Signed "Andy Warhol 204/250" in pencil on lower left recto | 1,800 - 2,400 | 4,000 | 4,800 |
| 140 | Aspen Magazine Five volumes: Aspen 3, December 1966, Designed by Andy Warhol and David Dalton; 9 1/2" x 12 1/2" x 3/4", Publisher: Roaring Fork Press, New York; Aspen 5 + 6 (In 28 Sections); Fall & Winter 1967, Edited by Brian O'Doherty, 8 1/4" x 8 1/4" x 2 1/8", Publsher: Roaring Fork Press, New York; Aspen 7 (British Box in 15 Sections); Spring & Summer 1970, Edited by Mario Amaya, 10" x 9 1/2" x 1 1/4", Publisher: Roaring Fork Press, New York; Aspen 8 (In 14 Sections); Fall-Winter 1970-1971, Edited by Dan Graham, 11 1/4" x 11 1/4", Publisher: Aspen Communications Inc., New York; Aspen 9 (In 13 Sections); Winter-Spring 1971, Edited by Angus and Hetty MacLise, 13" x 9 1/2", Publisher: Roaring Fork Press, New York; Provenance: Estate of Carl M. Allen, Ohio | 800 - 1,000 | 1,400 | 1,680 |
| 141 | Roy Lichtenstein (American, 1923-1997) Shipboard Girl, 1965; Offset lithograph in colors (framed); Signed; From an edition of an unknown size; 27" x 20" (sight); Printer: Graphic Industries, Inc., New York; Publisher: Leo Castelli Gallery, New York; Literature: Corlett II.6; Provenance: Private Collection, New York signed "R Lichtenstein" in pencil lower right recto, slight yellowing from acidic mat | 10,000 - 15,000 | 12,000 | 14,400 |
| 142 | Bruce Nauman (American, b. 1941) Untitled, 1969; Offset lithograph in two colors (framed); Signed; 24 1/2" x 20" (sheet); Literature: Cordes, Christopher, Bruce Nauman: Prints 1970-89, Raisonne Appendix, Section V: Commissioned Posters, New York and Chicago: Castelli Gallery, Lorence-Monk Gallery, Donald Young Gallery, 1989 (p. 130); Provenance: Private Collection, New York Note: This print was published in conjunction with the exhibition "Bruce Nauman: Holograms, Videotapes and Other Works" at Leo Castelli Gallery, New York (May 24-June 14, 1969) Overall good condition. Signed "Bruce Nauman" in pencil lower right margin. Light crimps and handling marks throughout; 2" vertical crimp upper right quadrant. Buckling apparent (especially in the upper quadrants), possibly from the frame being slightly too small, resulting in abrassions and some pigment loss where the buckled areas are touching the Plexiglass. Would recommend reframing. Frame: 25" x 20 1/2". | 1,800 - 2,400 | 1,200 | 1,440 |
| 143 | Roy Lichtenstein (American, 1923-1997) Set of ten plates in original cellophane wrapper, 1969; Screenprint in colors on paper plates; Stamped with copyright; 10" diameter; Publisher: Bert Stern for On 1st Inc., New York; Literature: Corlett III.45.; Provenance: Private Collection, New York | 2,000 - 3,000 | 1,700 | 2,040 |
| 144 | Ed Ruscha (American, b. 1937) 1984, 1967; Lithograph with hand-coloring (framed); Signed, dated and numbered 53/60; 19 5/8" x 24 1/2" (sight); Publisher: Gemini G.E.L., Los Angeles; Provenance: Private Collection, New York Signed "E. Ruscha '67 53/60" in pencil lower left recto | 5,000 - 7,000 | 9,500 | 11,400 |
| 145 | Hans Christoph Haacke (German/American, b. 1936) Water in Wind: Model (Fogjet, Nozzles, Motors, Pumps, Electricity, Hoses, Water, Wind, Open Area), 1968; Gelatin silver print (framed); Signed, dated and titled; 10" x 8" (sheet); Provenance: Gracie Mansion Fine Art, New York (label on verso); Private Collection, New York Overall good condition. Inscribed on verso "'WATER IN WIND: MODEL' HANS HAACKE / 1968 FOGJET, NOZZLES MOTORS, PUMPS, ELECTRICITY, / HOSES, WATER, WIND, OPEN AREA" upper center verso and "PHOTO: HAACKE" lower right verso. Light handling marks and surface dirt along the edges (predominately in the margins and especially on the corners). Light emulsion wear along edges. | 800 - 1,200 | 2,000 | 2,400 |
| 146 | Josef Breitenbach (German, 1896-1984) Red Urn, 1938 (printed in Paris); Hand colored gelatin silver print (framed); Bears estate stamp; 9 3/4" x 9 " (sight); Provenance: Estate of the artist; Private Collection, New York | 700 - 900 | 1,300 | 1,560 |
| 147 | Arthur Siegel (American, 1913-1979) Untitled (Photogram), 1941; Gelatin silver print; Signed, dated and inscribed "March 22, 1941 / a 'first' to my first friend Chuck / Art."; 9 3/4" x 7 3/4" (sheet); Provenance: Collection of Charles Niedringhaus, Pennsylvania Overall good condition. Signed and dated "Siegel / '41" in black ink lower right recto. Inscribed "March 22, 1941 / a 'first' to my first friend Chuck / Art." in black ink on the verso of the mount. Mounted to non-archival board. Minor emulsion lifting along the left and right edges. | 1,200 - 1,800 | 1,200 | 1,440 |
| 149 | Weegee (Arthur Fellig) (American, 1899-1968) Wild Horses, ca. 1956; Gelatin silver print; Stamped "Credit Photo by Weegee the Famous" on verso; 8 1/4" x 10" (sheet); Provenance: the artist; Collection of Suzanne and Hugh Johnston, Princeton Stamped "Credit Photo by Weegee the Famous" and stamped "Collection of Suzanne and Hugh Johnston" 174 in pencil upper left corner, stain, 3" x 1 3/4", upper right quadrant (verso) and on the upper left and lower right corners. Handling marks throughout, light scratches with a few isolated deeper scratches, crease upper left corner, lower right corner is dog eared. | 1,200 - 1,800 | 1,400 | 1,680 |
| 150 | Weegee (Arthur Fellig) (American, 1899-1968) Circus Tiger, ca. 1956; Gelatin silver print; Stamped "Credit Photo by Weegee" on verso; 10" x 6 3/4" (sheet); Provenance: the artist; Collection of Suzanne and Hugh Johnston, Princeton Stamped "Credit Photo by Weegee" and "from the collection of Suzanne and Hugh Johnston" on verso, 149 in pencil on verso, discoloration along the edges on verso, light scratches throughout and handling marks. | 1,200 - 1,800 | 2,200 | 2,640 |
| 151 | Weegee (Arthur Fellig) (American, 1899-1968) Career Girl, ca. 1956; Gelatin silver print; Stamped "Credit Photo by Weegee" on verso; 10" x 6 3/4" (sheet); Provenance: the artist; Collection of Suzanne and Hugh Johnston, Princeton titled "Career Girl" in ink lower recto, discoloration on bottom edge, 2" crease in lower right quadrant, light scratches throughout, 3" long crease starting upper right corner down along margin, Stamped "Credit Photo by Weegee" and "from the collection of Suzanne and Hugh Johnston", 119 in pencil on verso | 1,200 - 1,800 | 1,100 | 1,320 |
| 152 | Morton Bartlett (American, 1909-1992) Four works of art: Untitled, 1940-60 (printed in 2001); Gelatin silver print (framed); 4 1/2" x 2 3/4" (sight); Untitled, 1940-60 (printed in 2001); Gelatin silver print (framed); 4 3/8 x 3 1/2" (sight); Untitled, 1940-60 (printed in 2001); Gelatin silver print (framed); 3 3/4" x 2" (sight); Untitled, 1940-60 (printed in 2001); Gelatin silver print (framed); 2 3/4" x 3 1/4" (sight); Provenance: James Cohan Gallery, New York (label on verso); Private Collection | 1,200 - 1,800 | 3,750 | 4,500 |
| 153 | Philip Guston (American, 1913-1980) Untitled, 1966; Lithograph (framed); Signed, dated and numbered 25/35; 22 1/4" x 30" (sheet); Provenance: The Derek Mason and Daniel Jacobs Collection, Virginia Signed "Philip Guston 66" in pencil lower right recto, numbered 25/35 in pencil lower left recto, paper is slightly yellowed with light handling marks. | 800 - 1,000 | 9,000 | 10,800 |
| 154 | David Hockney (British, b. 1937) Pleading for the Child (Illustration for Grimm's Fairy Tales), 1969; Etching (framed); Signed and numbered 87/100; 24 1/2" x 17 3/4" (sheet); Printer: Print Shop, Amsterdam; Publisher: Petersburg Press, New York; Provenance: Private Collection, New York | 900 - 1,200 | 1,500 | 1,800 |
| 155 | Jim Dine (American, b. 1935) Wallchart I, 1974; Lithograph in colors (framed); Signed, dated and numbered A.P. (from an edition of 75); 48" x 35" (sheet); Publisher: Petersburg Press, New York; Exhibition: "New Editions 1974-75," The New York Cultural Center, New York, 1975 (label on verso); Provenance: Pace Editions, New York; Private Collection, New Jersey Signed "Jim Dine 1974 A/P" in pencil lower left recto | 4,000 - 6,000 | 6,500 | 7,800 |
| 157 | Lloyd Goldsmith (American, 20th C.) Niche, 1979; Graphite on paper (framed); Signed and dated; 41" x 27 1/2" (sheet); Provenance: the artist; Private Collection, New York Signed and dated on upper left recto | 800 - 1,200 | 400 | 480 |
| 159 | Ellsworth Kelly (American, b. 1923) Black/White/Black, 1970; Lithograph (framed); Signed and numbered 38/45; 42 1/4 x 30" (sheet); Publisher: Gemini G.E.L., Los Angeles; Provenance: Private Collection, Texas signed in pencil "Kelly" lower right recto and numbered in pencil "38/45" lower left recto, extensive damage, tear and creases to lower left corner, crease in upper left corner, restoration on isolated areas | 1,000 - 1,500 | 1,800 | 2,160 |
| 160 | Gene Davis (American, 1920-1985) Untitled, 1974; Screenprint in colors (framed); Signed, dated and numbered 153/200; 39 3/4" x 24 3/4" (sheet); Provenance: Private Collection, Texas Signed "Davis 1974 153/200" in pencil lower right recto | 800 - 1,000 | 2,600 | 3,120 |
| 161 | Frank Stella (American, b. 1936) Sinjerli Variation II, 1977; Offset lithograph and screenprint in colors (framed); Signed, dated and numbered 28/100; 32" x 42 1/2" (sheet); Publisher: Petersburg Press, New York; Provenance: Hardcourts Gallery, San Francisco; Private Collection, Los Angeles Signed "F.Stella 77 28/100" in pencil lower right recto | 4,000 - 6,000 | 7,500 | 9,000 |
| 162 | Helmut Federle (Swiss, b. 1944) Untitled, 1977-79; Graphite on paper (framed); Signed, dated and inscribed; 8 1/4" x 11 1/2" (sheet); Provenance: Laura Carpenter Fine Art, Sante Fe (label on verso); Hirschl & Adler Modern, New York (label on verso); Private Collection, New York | 800 - 1,000 | 2,700 | 3,240 |
| 163 | Andre Breton (French, 1896-1966) Marcel Duchamp (French/American, 1887-1968) Le Surrealisme en 1947, 1947; Book in French with velvet and foam collage, Edition 647/999; 9 1/2" x 8 1/4"; Publisher: Maeght Editeur, Paris; Provenance: Private Collection box is discolored, foam breast on cover, by Duchamp, has deteriorated, Stamped Imprime En France on inside page, pages have yellowed but are all intact | 1,000 - 1,500 | 8,500 | 10,200 |
| 164 | Joseph Beuys (German, 1921-1986) Intuition, 1968; Pencil on wood box; Signed, dated and titled; 11 3/4" x 8 1/8" x 2 1/4"; Literature: Schellmann, Jorg and Bernd Kluser, Joseph Beuys/Multiples, Munich: Verlag, 1980 (no. 7 in 1992 edition); Provenance: Reinhard Onnasch, Berlin (until 1989); Private Collection, New York Titled inside recto in pencil and signed "Beuys 1968" in pencil on recto. | 800 - 1,200 | 1,900 | 2,280 |
| 165 | Jannis Kounellis (Greek, b. 1936) Pio Monti, Rome, 1974; Composition board and coated metal rod in plastic box; Signed and numbered 16/80; 19 3/4" x 27"; Provenance: Karsten Schubert, Ltd., London; Private Collection, New York Signed and numbered in pencil on cover sheet. Coating on metal bar has disintegrated in areas. | 2,500 - 3,500 | 4,250 | 5,100 |
| 166 | Joseph Beuys (German, 1921-1986) Minneapolis Fragments (White, 2 of 6), 1977; Lithograph (framed); Signed; 25 3/8" x 35 1/2" (sheet); Literature: Schellman, Jorg and Bernd Kluser. Joseph Beuys/Multiples, Munich: Verlag, 1980 (cat. no. 162.6a, no. 238 in 1992 edition); Publisher: Walker Art Centre, MN; Provenance: Angelika Eirdanz (until 1988); Private Collection, New York | 1,000 - 2,000 | 1,500 | 1,800 |
| 167 | Joseph Beuys (German, 1921-1986) Zirkulationszeit (from the Zirkulationszeit Suite), 1982; Etching (framed); Signed and numbered 25/75; 25 3/4" x 19 5/8" (sheet); Publisher: Grafos-Verlag, Vaduz; Provenance: Private Collection, New York Signed and numbered "Joseph Beuys 25/75" in pencil on recto. | 800 - 1,200 | 1,500 | 1,800 |
| 168 | Joseph Beuys (German, 1921-1986) Element, 1982; Copper and iron; 15" x 18 1/2"; Literature: Schellman, Jorg and Bernd Kluser. Joseph Beuys/Multiples, Munich: Verlag, 1980 (cat. no. 339, cat. no. 465 in 1992 edition); Exhibition: "Joseph Beuys: Ideas and Actions, 1980," Hirschl & Adler Modern, New York, November 5 - December 10, 1988 (cat. no. 60); Provenance: Apollo Art, Edition Schellmann, Munich (acquired in 1989); Private Collection, New York | 6,000 - 8,000 | 9,000 | 10,800 |
| 169 | Richard Serra (American, b. 1939) Eight by Eight, 1972; Lithograph; Signed and numbered 4/55; 50 1/2" x 33 1/8" (sheet); Publisher: Gemini G.E.L., Los Angeles (stamp on verso); Provenance: Private Collection, San Francisco | 1,800 - 2,400 | 2,500 | 3,000 |
| 170 | Ellsworth Kelly (American, b. 1923) Baie Rouge, 1983-84; Lithograph; Signed and numbered 7/25; 52" x 51" (sheet); Publisher: Gemini G.E.L., Los Angeles; Literature: Asxom, Richard A., The Prints of Ellsworth Kelly, A Catalogue Raisonne, New York: Hudson Hills Press, 1987 (plate no. 204); Provenance: Private Collection, New York | 1,800 - 2,400 | 4,250 | 5,100 |
| 171 | Robert Rauschenberg (American, b. 1925) Cardbirds IV, 1971; Screenprint on cardboard; Signed, dated and numbered 60/75; 33" x 33 1/2" (irregular); Publisher: Gemini G.E.L, Los Angeles; Provenance: Private Collection, San Francisco Signed "Rauschenberg 60/75 71" in marker on verso | 2,000 - 3,000 | 6,500 | 7,800 |
| 172 | Robert Motherwell (American, 1915-1991) Harvest with Leaf (Summer Light Series), 1973; Lithograph in colors with collage (framed); Signed and numbered 18/54; 35 1/2" x 18" (sheet); Publisher: Gemini G.E.L., Los Angeles; Literature: Engberg Banach, 147; Provenance: The Derek Mason and Daniel Jacobs Collection, Virginia Signed "Robert Motherwell 18/54" in pencil lower right recto; light handling marks, 1/8" spot in upper left margin; Robert Motherwell Copyright seal on lower right recto | 1,500 - 2,000 | 3,250 | 3,900 |
| 174 | Eliot Porter (American, 1901-1990) Intimate Landscapes, 1954-1977, 1979; Nine dye-transfer photographs (from a portfolio of ten); Signed and numbered 75/250; 13 1/2" x 10 3/4" (image, largest), 13" x 10 3/4" (image, smallest); Publisher: Daniel Wolf Press, Inc., New York; Provenance: Private Collection, Arizona Signed "Eliot Porter/ 75" in ink on back of colophon. Each photograph is signed "Eliot Porter" in pencil on lower right recto. Missing Colombine leaves: Great Spruce Head Island, Maine. July 27, 1974, Colorful trees: stains along bottom and left margins, not on print, colophon has slight isolated stains, handling marks throughout, box for portfolio is torn on upper right corner and has handling marks. | 4,000 - 6,000 | 6,000 | 7,200 |
| 176 | Thomas Ruff (German, b. 1958) Hauser, 1989; C-print; Signed and numbered 6/12; 12 1/2" x 13 3/4" (image), 17 3/4" x 21 3/4" (sheet); Provenance: Private Collection, San Francisco Signed "Thomas Ruff" in pencil lower right verso, in pencil "6/12" lower left verso | 2,000 - 3,000 | 2,400 | 2,880 |
| 177 | Jeanne Dunning (American, b. 1960) Detail 7, 1990; Laminated cibachrome (framed); Signed, dated and titled; 21 1/2" x 17" (oval); Provenance: Grant Selwyn Fine Art, New York (label on verso); Private Collection, New York Unique work. | 2,000 - 3,000 | 1,500 | 1,800 |
| 178 | Karen Knorr (German, b. 1954) Connoisseurs / The Invention of Tradition, 1988; Cibachrome (framed); From an edition of 5; 22 3/4" x 22 3/4" (sight); Provenance: Samia Saouma, Paris (label on verso); Private Collection, New York | 1,500 - 2,000 | 2,300 | 2,760 |
| 179 | Walter Dahn (German, b. 1954) Untitled, 1988-89; Ink on photograph (framed); Stamped signature; 9 3/8" x 7" (sheet); Provenance: Private Collection, New York Signature stamp in red on verso. | 600 - 800 | 325 | 390 |
| 182 | Duane Michals (American, b. 1932) The Unfortunate Man; Gelatin silver print (framed); Signed, titled, inscribed and numbered 9/25; 7 3/4" x 9 3/4" (sight); Provenance: Estate of Murray Kaufman; Collection of Dr. Tom Folk, New Jersey Titled "THE UNFORTUNATE MAN" in black ink upper margin center. Inscribed, signed and numbered "The unfortunate man could not touch the one he loved. It had / been declared illegal by the law. Slowly his fingers became toes, / and his hands gradually became feet. He began to wear shoes / on his hands to disguise his pain. It never occurred to him / to break the law. Duane Michaels 9/25" in black ink in the lower margin. Two vertical creases through center of image running hieght of paper: one major, one minor. Frame: 15 1/2" x 17 1/2" | 1,000 - 1,500 | 2,200 | 2,640 |
| 183 | Carl Van Vechten (American, 1880-1964) Two works of art: Marlon Brando, December 27, 1948; Gelatin silver print (framed); Titled and dated with studio stamp; 6" x 4 1/2" (sight); Provenance: Thomas Fiske, New York; Collection of Dr. Tom Folk, New Jersey; Pearl Bailey in "St. Louis Woman"; Gelatin silver print (framed); Titled with studio stamp; 9 1/2" x 7 1/4" (sight); Provenance: Robert B. Jones, Kansas; Collection of Dr. Tom Folk, New Jersey Marlon Brando: overall good condition; titled "Marlon Brando.", marked and dated "x1xFF17 / Dec.27.48" in black ink and stamped "PHOTOGRAPH BY CARL VAN VECHTEN / 101 CENTRAL PARK WEST / CANNOT BE REPRODUCED WITHOUT PERMISSION" center verso; embossed "PHOTOGRAPH BY / CARL VAN VECHTEN" lower right recto. Pearl Bailey: overall good condition; titled "Pearl Bailey in St Louis Woman" and marked "IV.CC.9" in black ink center verso, stamped "PHOTOGRAPH BY CARL VAN VECHTEN / 101 CENTRAL PARK WEST / CANNOT BE REPRODUCED WITHOUT PERMISSION" center verso; embossed "PHOTOGRAPH BY / CARL VAN VECHTEN" lower right recto. | 700 - 900 | 800 | 960 |
| 184 | Herb Ritts (American, 1952-2002) Male Torso With Veil, Full Length, Silverlake, 1985; Gelatin silver print (framed); Signed, dated, titled and numbered 14/25; 18 1/4" x 14 3/4" (sight); Provenance: Christie's, New York, June 9, 1999, sale no. 8241, lot no. 189; Edge Art, Rahway, NJ; Collection of Dr. Tom Folk, New Jersey Overall good condition. Titled, dated, signed and numbered "'Male torso with Veil' full length 1985 Herb Ritts 14/25" in pencil along the lower edge verso. Embossed "(C) HERB RITTS" lowe right margin. Minor stain lower left verso. Light wear on the corners and along the edges; most eveident on the lower corners with emulsion lifting and minor tears (not effecting the image). Light surface dirt and handling marks in the margins. Frame: 25" x 21 1/2". | 2,000 - 3,000 | 2,500 | 3,000 |
| 185 | Minor White (American, 1908-1976) Ice and Window Crack, Rochester, 1961; Gelatin silver print (framed); Signed and dated; 12" x 8 5/8" (sheet); Provenance: Collection of Jack Franks, New York; Collection of Dr. Tom Folk, New Jersey; Note: Accompanied by a letter of authenticity written by Jack Franks (Minor White's teaching assistant at the Rochester Institute of Technology from 1959 to 1960.) Overall good condition. Dated and signed "1961 Minor" along the lower edge of the illustration board mount. Mounted on illustration board by Minor White. | 1,200 - 1,800 | 1,600 | 1,920 |
| 186 | George Platt Lynes (American, 1907-1955) Walter Ruckmer (Walter Roemer); Gelatin silver print (framed); Titled and with studio stamp; 9" x 6 3/4" (sight); Provenance: Collection of Dr. Tom Folk, New Jersey Overall good condition. Titled "Walter Ruckmer" in pencil and studio stamp "GEORGE PLATT LYNES" in black ink center verso. Frame: 16 1/2" x 14 1/2" | 800 - 1,200 | 1,300 | 1,560 |
| 187 | George Platt Lynes (American, 1907-1955) Yul Brynner; Gelatin silver print (framed); With studio stamp; 9" x 7 1/2" (sight); Provenance: Collection of Dr. Tom Folk, New Jersey Overall good condition. Studio stamp "GEORGE PLATT LYNES / 145 EAST 52 STREET NEW YORK" in black ink center verso. Frame: 16 1/2" x 14 1/2" | 800 - 1,200 | 1,000 | 1,200 |
| 187A | CONTEMPORARY PHOTOGRAPHY Three works of art: Arthur Tress (American, b. 1940) Bike Fantasy, N.Y., N.Y., 1977; Gelatin silver print (framed); Signed, dated, titled and numbered 5/50; 15 1/2" x 15" (sight); Provenance: The artist; Collection Dr. Tom Folk, New Jersey; George Dureau (American, b. 1930) Glen Thompson, 1983; Gelatin silver print (framed); Signed, dated, titled and numbered 2/10; 15" x 14 1/2" (sight); Provenance: The artist; Collection of Dr. Tom Folk, New Jersey; James Bidgood (American, b. 1933) Untitled (Times Square Scene), 2000; C-print (framed); Signed, dated and numbered 2/25; 15 1/4" x 15 1/4" (sight); Provenance: Collection of Dr. Tom Folk, New Jersey Arthur Tress: Overall good condition; titled, dated, numbered and signed "'Bike Fantasy', N.Y., N.Y. 1977 5/50 Arthur Tress" in black ink along lower margin; frame: 24 1/2" x 23 1/2". George Dureau: Overall good condition; titled, dated, numbered and signed "Glen Thompson '83 2/10 george dureau" in black ink along lower margin; frame: 24 1/2" x 24". James Bidgood: Overall good condition; signed, numbered and dated "James Bidgood 2/25 2000" in black ink lower right verso; 24 3/4" x 24 3/4". | 1,200 - 1,800 | 1,400 | 1,680 |
| 188A | Jimmy DeSana (American, 1950-1990) Dog, 1979; Gelatin silver print (framed); Signed; 6 7/8" x 9 3/8" (sight); Provenance: The artist; Collection of Tim Greathouse, New York (until 1987); Sur Rodney Sur Archives, New York; Private Collection, New York | 800 - 1,200 | 2,700 | 3,240 |
| 189 | Robert Mapplethorpe (American, 1946-1989) Cock and Devil, 1982; Two gelatin silver prints ( diptych, framed together); Signed, dated and numbered 2/10; 15 1/2" x 19 3/8" (sheet) each; This is unique in that Mapplethorpe framed two separate photographs together; Literature: Celant, Germano and Rosa Maria Malet, Mapplethorpe, New York: The Estate of Robert Mapplethorpe and Fundaci¢ Joan Mir¢, 1992 (page 29); Exhibition: Sam Wagstaff Collection of Photography, Fundaci¢ Joan Mir¢, Barcelona, 1982; Provenance: Collection of Baldwing Fong; Private Collection, New Jersey good condition, both signed in in "2/10 Robert Mapplethorpe" lower verso and in artist's stamp "date 1982 and signature Robert Mapplethorpe" on verso | 8,000 - 12,000 | 10,000 | 12,000 |
| 191 | Christopher Wool (American, b. 1955) Black Book, New York and Cologne, Thea Westreich and Gisella Capitan, 1989; 17 offset lithographs; Signed and numbered 180/350; 23" x 16"; Publisher: Thea Westreich, New York, Gisella Capitan, Cologne; Provenance: Private Collection size: 23" x 16"; signed "Wool 180/350" in ink on back page; foxing on front and back pages | 1,500 - 2,000 | 1,200 | 1,440 |
| 192 | Barbara Kruger (American, b. 1945) We get exploded because they've got money and God in their pockets, 1989; Offset lithograph (framed); 72" x 48" (sheet); Provenance: Private Collection, New York wear in seams where the piece had been folded, printed for Aqui (spanish) art magazine, Issue No. 4, 1984 | 1,000 - 1,500 | 1,800 | 2,160 |
| 193 | Hamish Fulton (British, b. 1946) East, South, West, North, 1989; Photogravure (framed); Signed and numbered 8/100; 8" x 22 7/8" (sight); Provenance: Graeme Murray Gallery, Edinburgh (label on verso); Private Collection, New York Signed "Hamish Fulton 8/100" in pencil on recto | 300 - 500 | 650 | 780 |
| 196 | Werner Buttner (German, b. 1954) Coffee, 1989; Two etchings, porcelain coffee pot and wood; Signed, dated and numbered 2/4; Etchings: 19 1/4" x 14 1/2" (sheet) each, Sculpture: 65" high; Exhibitions: "Multiples," Hirschl & Adler Modern, New York, May 31 - June 29, 1990; Provenance: Luhring Augustine Hetzler Gallery, Santa Monica; Private Collection, New York | 1,200 - 1,800 | 600 | 720 |
| 197 | Albert Oehlen (German, b. 1954) Untitled (Schutze) (Protection), 1985; Lithograph in colors; Signed and dated; 16" x 11 1/2" (image), 21 1/2" x 15 3/4" (sheet); Provenance: Private Collection, San Francisco Signed "A.Oehlen 85" in pencil lower right recto | 400 - 600 | 350 | 420 |
| 198 | Jon Kessler (American, b. 1957) Heart of Man, 1989; Mixed media; Signed, dated and numbered 4/7; 22" high; Exhibitions: "Multiples," Hirschl & Adler Modern, New York, May 31 - June 29, 1990; Provenance: Galerie Gisela Capitain, Cologne (accompanied by certificate); Private Collection, New York Signed "Kessler 89 4/7" in ink on bottom. | 1,800 - 2,400 | 900 | 1,080 |
| 199 | Andrew Masullo (American, b. 1957) 1940, 1989; Book page with cutout (framed); 7 3/8" x 5 3/4" (sheet); Exhibitions: "Departures: Photography 1924-1989," Hirschl & Adler Modern, New York, November 2 - December 2, 1989; Private Collection, New York | 600 - 800 | 300 | 360 |
| 199A | Andrew Masullo (American, b. 1957) 2132, 1989; Paper collage on gelatin silver print (framed); Signed, dated and titled; 9 3/4" x 8" (sheet); Exhibitions: "Departures: Photography 1924-1989," Hirschl & Adler Modern, New York, November 2 - December 2, 1989 ; Provenance: fiction/nonfiction, New York (label on verso), Private Collection, New York | 600 - 800 | 550 | 660 |
| 200 | Robert Mangold (American, b. 1937) Untitled (from Pages), 1989; Etching; Signed and numbered 35/40; 14" x 14" (sheet); Publisher: Simmelink/Sukimoto Editions, Los Angeles; Provenance: Private Collection Signed "R Mangold 35/40" in pencil lower right recto | 800 - 1,000 | 700 | 840 |
| 201 | Robert Mangold (American, b. 1937) Untitled, 1984; Lithograph in colors; Signed, dated and numbered 23/50; 23 1/2" x 22 1/2" (sheet); Provenance: Private Collection, New Jersey Large water stain in upper left quadrant, crimps throughout | 800 - 1,000 | 850 | 1,020 |
| 202 | Martin Disler (Swiss, 1949-1996) Untitled, 1983; Acrylic and mixed media on paper; Signed and dated; 30" x 25" (sheet) Provenance: Private Collection, San Francisco Signed "Disler 83" in pencil lower right recto | 2,000 - 3,000 | 1,800 | 2,160 |
| 203 | John Newman (American, b. 1952) Study for the Center of Shell Shock, 1984; Pencil and gouache on paper (framed); Signed and titled; 31" x 33 1/4" (sheet); Exhibitions: "Intuitive Line," Hirschl & Adler Modern, New York, December 6, 1986 - January 3, 1987; Provenance: Daniel Weinberg Gallery, Los Angeles (label on verso); Private Collection, New York Signed (lower right) and titled (upper left edge) on recto. Multiple pinholes in all corners. | 1,000 - 2,000 | 500 | 600 |
| 204 | Gregory Amenoff (American, b. 1948) Celadon, 1985; Oil and acrylic on paper (framed); Signed, dated and titled; 38" x 38" (sheet); Exhibition: "Gregory Amenoff: Works on Paper, 1975-1992," DeCordova Museum, Lincoln, MA, April 24 - June 13, 1993; Provenance: the artist; Betsy Rosenfeld Gallery, Inc., Chicago (label on verso); Hirschl & Adler Modern, New York; Private Collection, New York | 1,200 - 1,800 | 650 | 780 |
| 205 | Gregory Amenoff (American, b. 1948) In the Fifth Season, 1983; Woodcut in colors (framed); Signed, dated, titled and numbered 23/25; 37 1/2" x 33 1/4" (sight); Provenance: the artist; Private Collection, New York Titled "'In the Fifth Season' Amenoff 83" in pencil lower right recto. Numbered "23/25" lower left recto. | 600 - 800 | 325 | 390 |
| 206 | Jim Dine (American, b. 1935) Two works of art: A Well-Painted Strelitzia, 1980; Handcolored etching (framed); Signed, dated and numbered 3/33; 35 1/2" x 24" (sheet); Pink Strelitzia, 1980; Handcolored etching (framed); Signed, dated and numbered 11/12; 35 1/2" x 23 3/4" (sheet); Provenance: Private Collection, New Jersey Signed, dated and numbered lower left recto | 2,000 - 3,000 | 3,250 | 3,900 |
| 207 | Helen Frankenthaler (American, b. 1928) Spring Veil, 1987; Aquatint with drypoint in colors; Signed, dated and numbered 12/51; 17 1/4" x 25 3/4" (sheet); Publisher: 2RC Edizioni d'Arte, Rome; Literature: Harrison 125; Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York handling mark bottom right quadrant | 1,500 - 2,000 | 6,000 | 7,200 |
| 208 | Charles Garabedian (American, b. 1923) You are Going on a Trip, 1961-80; Portfolio of eleven etchings and lithographs; Each signed, dated and numbered 33/50; 20 3/4" x 28" (sheet) each; Publisher: L.A. Louver Publications, Venice, CA; Provenance: The artist; Private Collection, New York Signed and dated "C. Garabedian '74 (or '79, '80, '61-80)" lower right recto. Including: Artist and Model, 1980; Etching; 22 1/4" x 29 3/4"; Henry Inn #7, 1979; Etching; 21 1/8" x 20 3/4"; Prehistoric Figures, 1980; Etching; 20 3/4" x 29 1/2"; Crucifixion, 1961-80; Etching; 22" x 29 3/4"; Night Parthenon, 1961-80; Etching; 16" x 20"; Graveyard, 1979; Lithograph; 30" x 22 1/4"; Brick Through the Window, 1980; Etching; 22 1/4" x 29 3/4"; Culver City Flood, 1979; Lithograph; 19 1/2" x 22 1/4"; China, Korea, Cambodia, 1974; Etching; 29 1/2" x 20 5/8"; Man Tearing His Heart Out, 1980; 22 1/4" x 30". | 2,000 - 3,000 | 1,000 | 1,200 |
| 209 | Francesco Clemente (Italian, b. 1952) Hemispheres, 1983; 18 lithographs; 6 1/8" x 8 1/2" (sheet) each; Provenance: Private Collection, New York Collaboration with dancer/choreographer Molissa Fenley for a performance at the Brooklyn Academy of Music's Next Wave Festival in 1983 | 1,800 - 2,400 | 1,600 | 1,920 |
| 211 | Nicholas Africano (American, b. 1948) Three works of art: Untitled, 1986 ; Screenprint in colors; Signed, dated and numbered 2/60; 29 3/4" x 40" (sheet); Untitled (Opera Ballet); Screenprint in colors; Signed and numbered A.P.4, (blind stamped "Commissioned by Merrill Lynch"); 28" x 36 1/4" (sheet); Untitled, 1986; Mixed media print; Signed, dated and numbered A.C. 2/46; 40 1/4" x 29 1/2"; Provenance: Private Collection, Los Angeles | 700 - 900 | 1,200 | 1,440 |
| 212 | Robert Kushner (American, b. 1949) Ten screenprints in colors: Cupids Doing Deskwork; Signed, titled and numbered 31/35; 30 1/4" x 22 1/2" (sheet); Cupids Making Borscht; Signed, titled, and numbered AP 3; 22 1/2" x 60 1/2" (sheet); Fandango; Signed, titled and numbered AP 3; 67 1/2" x 30" (sheet); Gardening; Signed, titled and numbered AP 3; 90" x 22 1/2" (sheet); More Borscht; Signed, titled and numbered AP 1; 22" x 60" (sheet); Shower; Signed, titled and numbered 7/20; 22 1/2" x 15 1/8" (sheet); Nursery; Signed, titled and numbered AP 3; 60" x 22 1/2" (sheet); New Baby; Signed, titled and numbered 27/35; 22 1/2" x 30" (sheet); National Treasure; Signed, titled and numbered 23/25; 67 1/2" x 30 1/4" (sheet); More and More Borscht; Signed, titled and numbered 5/15; 22" x 61" (sheet); Provenance: Private Collection, Los Angeles | 1,000 - 1,500 | 1,300 | 1,560 |
| 213 | Joan Snyder (American, b. 1940) Study with Totems, 1985; Mixed media; Signed and dated; 17 7/8" x 19"; Provenance: the artist; Private Collection, New York Totems: Signed in pencil "Joan Snyder 1985" on verso | 600 - 800 | 800 | 960 |
| 213A | Joan Snyder (American, b. 1940) Mommy Why?, 1983-84; Handcolored linocut (framed); Signed and numbered 11/15; 20" x 26" (sheet); Provenance: the artist; Private Collection, New York Mommy Why? Signed "Joan Snyder" in pencil lower right recto and numbered 11/15 in pencil lower left recto; | 300 - 500 | 175 | 210 |
| 214 | William Wegman (American, b. 1943) Two works of art: Menu, 1983; Lithograph in colors; Signed, dated, titled and numbered 12/24; 31 1/4" x 24 1/2"; Card With Flowers, 1983; Lithograph in colors; Signed, dated, titled and numbered 13/28; 25" x 34" (sheet); Provenance: Private Collection, Los Angeles | 700 - 900 | 500 | 600 |
| 215 | Alex Katz (American, b. 1927) The Grey Ribbon (from Alex and Ada: The 1960's to the 1980's), 1990; Screenprint in colors; Signed and numbered AP 9/30; 27 1/2" x 36" (sheet); Printer: Styria Studio, New York (stamp on verso); Publisher: Gaultney Klineman Art, New York; Provenance: Private Collection, New York Signed "Alex Katz AP 9/30" in pencil lower left recto, very good condition | 2,000 - 2,500 | 2,400 | 2,880 |
| 216 | Alex Katz (American, b. 1927) Alex Katz, Self Portrait/Passing (from Alex and Ada: The 1960's to the 1980's), 1990; Screenprint in colors; Signed and numbered AP 9/30; 32 1/2" x 36" (sheet); Printer: Styria Studio, New York (stamp on verso); Publisher: Gaultney Klineman Art, New York; Provenance: Private Collection, New York Signed "Alex Katz AP 9/30" in pencil lower left recto, very good condition | 1,800 - 2,400 | 2,100 | 2,520 |
| 219 | George Condo (American, b. 1957) Abstract Composition in Blue, 1998; Screenprint in colors; Signed, dated and numbered 20/100; 37 7/8" x 50" (sheet); Provenance: Private Collection, New York Signed "Condo 98" in pencil lower right recto, numbered 20/100 in pencil lower left recto | 1,000 - 1,500 | 950 | 1,140 |
| 220 | Sam Cady (American, b. 1943) Four works of art: Dinghy, 1981; Screenprint in colors; 39 1/2" x 29 1/4" (sheet); Highway Fragment, Bridge Ramp From Below, 1981; Screenprint in colors; Signed, dated, titled and numbered 7/20; 30" x 22" (sheet); Kayak, 1981; Screenprint in colors; Signed, dated, titled and marked "trial proof"; 39 1/2" x 29 1/4" (sheet); Single Scull, 1981; Screenprint in colors; Signed, dated, titled and numbered 19/40; 39 1/2" x 29 1/4" (sheet); Provenance: Private Collection, Los Angeles | 800 - 1,000 | 400 | 480 |
| 221 | Donald Sultan (American, b. 1951) Lilies, 1998; Screenprint in colors; Signed, dated, titled and numbered 17/70; 26" x 21 1/4" (sheet); Provenance: Private Collection, New York In pencil "Lilies March 26 1998 D S" in pencil left side recto, numbered 17/70 in pencil lower right recto | 800 - 1,200 | 1,300 | 1,560 |
| 222 | Alex Katz (American, b. 1927) Sweatshirt II (from Alex and Ada: The 1960's to the 1980's), 1990; Screenprint in colors; Signed and numbered AP 9/30; 35 7/8" x 28 3/4" (sheet); Printer: Styria Studio, New York (stamp on verso); Publisher: Gaultney Klineman Art, New York; Provenance: Private Collection, New York Signed "Alex Katz AP 9/30" in pencil lower left recto, very good condition | 1,800 - 2,400 | 1,700 | 2,040 |
| 223 | Alex Katz (American, b. 1927) Green Jacket (from Alex and Ada: The 1960's to the 1980's), 1990; Screenprint in colors; Signed and numbered AP 9/30; 36" x 24" (sheet); Printer: Styria Studio, New York (stamp on verso); Publisher: Gaultney Klineman Art, New York; Provenance: Private Collection, New York Signed "Alex Katz AP 9/30" in pencil lower left recto, very good condition | 1,800 - 2,400 | 1,600 | 1,920 |
| 224 | Anne Siems (German, b. 1965) Susanis Belem, 1992; Mixed media on paper (framed); Signed, dated and titled; 21 3/4" x 22 5/8" (sight); Provenance: Private Collection Signed and dated lower right recto, titled upper right recto | 600 - 800 | 375 | 450 |
| 225 | Wes Mills (American, b. 1960) Sandalwood, 1996; Graphite on paper (framed); Signed, dated and titled; 6 3/8" x 6 1/4" (sheet); Provenance: Blum Helman Gallery, Inc., New York (label on verso); Private Collection, New York Signed "1996 Wes Mills (Sandalwood)" in pencil lower right quadrant recto, title "Sandalwood" in pencil lower right recto | 700 - 900 | 1,300 | 1,560 |
| 226 | Pat Steir (American, b. 1940) Composition in Dark, 1999; Lithograph and screenprint in colors (framed); Signed and numbered 7/35; 28" x 28" (sheet); Publisher: Landfall Press, Chicago; Provenance: Private Collection, New Jersey | 800 - 1,200 | 900 | 1,080 |
| 227 | Suzanne McClelland (American, b. 1959) Now, 1992; Mixed media on paper; Signed, dated and titled; 40" x 26" (sheet); Provenance: Private Collection, San Francisco Signed "Suzanne McClelland Now 1992" in ink on lower verso, paper is slightly buckled due to nature of work, light bend in paper lower left corner | 1,000 - 1,500 | 1,900 | 2,280 |
| 229 | Jene Highstein (American, b. 1942) Untitled (Styrofoam Study), 1982; Chalk and pastel on paper (framed); Initialed and dated; Provenance: Oscarsson Hood Gallery, New York (label on verso); Grant Selwyn Fine Art, New York (label on verso); Private Collection, New York | 1,500 - 2,000 | 1,000 | 1,200 |
| 230 | Jene Highstein (American, b. 1942) Crosby Street Room, 1998; Ink and graphite on paper (framed); Signed and dated; 19 3/4" x 21 3/4" (sheet); Provenance: Private Collection signed "Highstein '98" in pencil lower right recto, on two sheets of paper, paper is lightly ribbled due to artist's process, pin holes in top corners | 600 - 800 | 550 | 660 |
| 231 | Kiki Smith (American, b. 1954) Untitled (Hair), 1990; Lithograph; Signed, dated and numbered 19/24; 36" x 36"; Publisher: ULAE, West Islip, New York; Provenance: Private Collection, San Francisco Signed "Kiki Smith 1990 19/24" in pencil lower right recto | 1,500 - 2,000 | 1,400 | 1,680 |
| 232 | Kiki Smith (American, b. 1954) Untitled (Geese), 1997; Iris print (framed); Signed, dated and numbered 11/20; 20" x 21 3/4" (sheet); Provenance: Pace Prints, New York (label on verso); Private Collection, New York Signed "Kiki Smith 1997" in pencil lower right recto, numbered "11/20" in pencil lower left recto | 1,000 - 1,500 | 900 | 1,080 |
| 233 | Jason Rhoades (American, 1965-2006) Untitled, 1994; Lithograph in colors; Signed, dated and numbered 92/150; 19 5/8" x 27 1/2" (sheet); Provenance: Private Collection, San Francisco Signed "Jason Rhoades '94" in pencil lower right recto and numbered 92/150 in pencil lower left recto | 500 - 700 | 600 | 720 |
| 234 | Whitney Biennial Print Portfolio in Seoul: A Benefit Print Portfolio for the National Museum of Contemporary Art, 1993; Fourteen prints: Alan Rath (American, b. 1959) Untitled, 1994; Screenprint in colors; Signed and numbered PP 5/10; 19 1/2" x 25" (sheet); Merce Cunningham (American, b. 1919) Untitled, 1994; Screenprint in colors; Signed; 19 1/2" x 25" Allen Ginsberg (American, 1926-1997) Mother Ghost, 1994; Intaglio; Signed, dated, titled and numbered PP 5/10; 19 1/2" x 25" (sheet); Jonas Mekas (Lithuanian, b. 1922) Untitled, 1994; Screenprint in colors; Signed, dated and numbered PP 5/10; 19 1/2" x 25" (sheet); Kiki Smith (American, b. 1954) Untitled, 1994; Photo sceenprint and silks on paper; Signed, dated and numbered PP 5/10; 19 1/2" x 25" (sheet); Byron Kim (American, b. 1961) Manebyong, 1994; Screenprint on hand-made paper; Signed, dated and numbered PP 5; 24" x 18"; Alison Saar (American, b. 1956) Lazarus, 1994; Screenprint in colors; Signed, dated, titled and numbered PP 5/10; 25" x 19 1/2"; Hilary Leone (American, b. 1962) and Jen MacDonald (American, b. 1958) Chromosomes, 1994; Lithograph and screenprint in colors on paper; Signed, titled and numbered PP 5/10; 19 1/2" x 49 1/2" (sheet); Lorna Simpson (American, b. 1960) Van Der Zee Prop Vase, 1994; Photo screenprint in colors on paper; Signed, dated, titled and numbered PP 5/10; 25" x 19 1/2" (sheet); Izhar Patkin (Israeli, b. 1955) Untitled, 1994; Offset lithograph in colors; Signed, dated and numbered PP 5/10; 25" x 19 1/2" (sheet); William Wegman (American, b. 1943) Me, 1994; Screenprint in colors; Signed, dated, titled and numbered PP 5/10; 25" x 19 1/2" (sheet); Gary Simmons (American, b. 1964) Untitled (Lineup Wall Chart), 1994; Screenprint in colors; Signed, dated and numbered PP 5/10; Nam June Paik (Korean, 1932-2006) Untitled, 1994; Screenprint in colors; Signed, dated and numbered PP 5/10; 25" x 19 1/2" (sheet); Robert Longo (American, b. 1953) Body Hammers, 38 Special, 1994; Screenprint in colors; Signed, dated and numbered PP 5/10; 25" x 19 1/2" (sheet); (original catalogue included); Provenance: Private Collection, Los Angeles | 2,500 - 3,500 | 1,250 | 1,500 |
| 235 | Lorna Simpson (American, b. 1960) Untitled, 1995; Photograph on linen and etched glass; From an edition of 50; 10" x 28" (overall); Provenance: Private Collection | 1,500 - 2,000 | 2,600 | 3,120 |
| 236 | Sigmar Polke (German, b. 1941) Untitled, 1992; C-print (framed); From an edition of 28; 10" x 6 7/8" (sheet); Provenance: Jack Hanley Gallery, San Francisco (label on verso); Private Collection, San Francisco | 1,500 - 2,000 | 1,300 | 1,560 |
| 237 | Michael Landy (British, b. 1963) Bail, 1990; Mixed media and artificial grass; Edition 2/15; 20" x 36" x 17 1/2"; Exhibition: "Multiples," Hirschl & Adler Modern, New York, May 31 - June 29, 1990; Provenance: Karsten Schubert Ltd., London (accompanied by letter and photo certificate); Private Collection, New York | 1,800 - 2,400 | 1,400 | 1,680 |
| 238 | Wolfgang Laib (German, b. 1950) Untitled, 1990; Mixed media; Signed, dated and numbered 4/15; 12 3/4" x 10 1/8" x 2 7/8"; Provenance: Private Collection, New York Stains to paper on top of box. Signed, dated and numbered 4 1/5. | 1,000 - 1,500 | 750 | 900 |
| 239 | Ange Leccia (French, b. 1952) American Kiss, 1986; Mixed media with solar spots; 27" high; Exhibitions: "Multiples," Hirschl & Adler Modern, New York, May 31 - June 29, 1990; Provenance: Private Collection, New York | 2,000 - 3,000 | 1,000 | 1,200 |
| 240 | Georg Herold (German, b. 1947) Untitled, 1988-90; Bronze, aluminum and bread; Signed, dated and numbered 3/9; 2 3/8" x 8 3/8" x 14 1/2"; Exhibitions: "Multiples," Hirschl & Adler Modern, New York, May 31 - June 29, 1990; Provenance: Brooke Alexander, New York; Private Collection, New York Signed, dated and numbered "Herold 90 3/9" in |
