Prints + Multiples 
12 November 2020
Prints + Multiples 
360

Richard Estes b.1932

Qualicraft Shoes

1974
screenprint on Fabriano Cottone paper laminated to Schoeller ragboard with an aluminum inlay 33½ h × 47 w in (85 × 119 cm)
estimate: $1,500–2,500
result: $3,640
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Signed to lower center '12/100 Estes'. This work is number 12 from the edition of 100 printed by Domberger KG, Stuttgart and published by Parasol Press, New York.
provenance: Allan Stone Gallery, New York
exhibited: The 1970s: New American Painting, 15 June 1979 - 10 February 1981, The New Museum, New York (another example) | Richard Estes, July - October 1990, Isetan Museum of Art, Tokyo (traveled to various locations)(another example) | Richard Estes: The Complete Prints, 1992 - 1995, Stonybrook, NY (traveled to various locations) (another example) | Painterly to Precise: Richard Estes, 14 February - 15 June 2015, The Currier Museum of Art, Manchester, NH (another example) | Richard Estes: Urban Landscapes, 24 November - 16 December 2016, Sims Reed Gallery, London
literature: Richard Estes, Hiroshima City Museum of Contemporary Art, 1990, pg. 105 illustrates another example | Richard Estes: Urban Landscapes, Sims Reed Gallery, London, pg. 9 illustrates another example | Richard Estes: Paintings & Prints, Arthur, pg. 115 illustrates another example

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The Visionary Eye of Allan Stone

Allan Stone; Allan Stone Gallery, New York, c. 1975. Images courtesy of the Allan Stone Collection


Founded in 1960 by art dealer Allan Stone (1932–2006), the New York gallery known today as Allan Stone Projects has been admired for over half a century. Celebrated for its eclectic approach and early advocacy of pivotal artists of the 20th century, Allan Stone Gallery was a leading authority on Abstract Expressionism, the New York dealer for Wayne Thiebaud for over forty years, and showed the works of Willem de Kooning, Franz Kline, Arshile Gorky, Joseph Cornell, John Graham and John Chamberlain. Stone also promoted the work of a younger generation of artists that were in conversation with other artists in his collection, working in the mediums of assemblage, collage and new modes of abstraction. In addition to modern masterworks and contemporary art, Allan Stone also collected and exhibited international folk art, Americana and important decorative arts and industrial design.

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