206: SAM MALOOF, Demilune console table from Pacific Enterprises, Los Angeles < Modern Design, 16 May 2024 < Auctions

Modern Design

16 May 2024

Modern Design

206

Sam Maloof
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Demilune console table from Pacific Enterprises, Los Angeles

USA, c. 1990
maple, walnut 31 h × 147½ w × 47 d in (79 × 375 × 119 cm)

estimate: $2,500–3,500

result: $4,032

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provenance: Pacific Enterprises, Los Angeles | Bonhams, Los Angeles, 20th Century Decorative Arts including the Pacific Enterprises Commission of Sam Maloof Furniture, 18 April 2011, Lot 3240 | Important East Coast Collection
literature: The Furniture of Sam Maloof, Adamson, ppg. 230-231 discuss commission

This work will ship from Chicago, Illinois.

Sam Maloof for Pacific Enterprises

Distinguished as one of Sam Maloof's most significant corporate commissions, in 1990 the celebrated woodworker created more than seventy works for the 3,000-square-foot Library Tower executive offices of Los Angeles utility company Pacific Enterprises. Among the works were a monumental conference table and chairs, an executive desk, and Demilune fixtures. Crafted from twelve wedges of maple, the nearly 18-foot diameter conference table was the largest work he had ever made and, because of its size, Maloof had to make the table not in his own Alta Loma, California, workshop, but at a larger facility in Aspen, Colorado.

Sam Maloof 1916–2009

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Born in 1916 to Lebanese immigrant parents, Sam Maloof spent his childhood tinkering and making wood objects like spoons and dollhouses for his family. As an adult, Maloof worked in the graphic design department of the Vortox Manufacturing Company and in 1941 he was drafted into the U.S. Army where he constructed engineering drawings for the war effort. After the war, Maloof moved to California where he taught himself how to woodwork while building furniture for his first home. News of his beautiful and functional designs spread, and he was soon swamped with commissions for everything from cradles to rockers.

Maloof was never formally trained and he disliked the term artist, instead preferring to be known first and foremost as a craftsman. Maloof purposefully left the joinery of his furniture visible, drawing attention to the artistry of his mortise and tenon joints and flawless dovetails. Working with traditional woods like mahogany, pine, and oak, Maloof expertly transformed the surface of his forms with a highly burnished, tactile sheen. A true master of wood, Maloof was the first craftsman to receive both the coveted Louis Comfort Tiffany Grant and the MacArthur Genius Grant. In 2001, Sam Maloof was the subject of a major retrospective at the Renwick Gallery of American Art, the exhibition focusing on the precise methods of craftsmanship within his designs. Maloof passed away in 2009. Renowned for his contribution to the American Craft movement, his work is included in many noteworthy collections including the Arts and Crafts collection at the White House, Washington D.C. as well as and in the permanent collection of the Metropolitan Museum of Art, New York.

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